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Accept - Balls To The Wall FLAC

Accept - Balls To The Wall FLAC
Performer:
Accept
Album:
Balls To The Wall
Style:
Hard Rock, Heavy Metal, Glam
Released:
1983
Country:
Germany
Label:
RCA
Catalog:
PL 70186
FLAC size:
1998 mb
MP3 size:
2003 mb
WMA size:
2654 mb


Tracklist


1Losers And Winners4:19
2Guardian Of The Night4:24
3Love Child3:34
4Balls To The Wall5:42
5Fight It Back3:38
6Head Over Heels4:25
7Losing More Than You've Ever Had5:10
8London Leatherboys3:57
9Turn Me On5:12
10Winterdreams4:52


Credits


  • BassPeter Baltes
  • DrumsStefan Kaufmann
  • EngineerLouis Austin
  • GuitarHermann Frank, Wolf Hoffmann
  • Mixed ByMichael Wagener
  • Producer, Lyrics By, Composed ByAccept
  • VocalsUdo Dirkschneider


Notes


Recorded and mixed at Dierks Studios, Cologne West Germany, July/August, 1983.

Includes an poster-insert.


Barcodes


  • Barcode: 035627018619
  • Matrix / Runout (Side A): DM B-0653 A-1/83 S II [etched] III
  • Matrix / Runout (Side B): DM B-0653 A-1/83 S II [etched] II
  • Label Code: LC 0316
  • Rights Society: GEMA/BIEM


Companies


  • Marketed By – RCA Records
  • Copyright (c) – RCA Schallplatten GmbH
  • Phonographic Copyright (p) – RCA Schallplatten GmbH
  • Distributed By – RCA Schallplatten GmbH
  • Made By – RCA Schallplatten GmbH
  • Pressed By – Sonopress
  • Mixed At – Dierks Studios
  • Recorded At – Dierks Studios


Album


Balls to the Wall - Accept. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Формируйте собственную коллекцию записей to the Wall is the fifth studio album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its United States release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in the US. The album's title track became Accept's signature tune and remains a metal anthem and trademark in the. Balls To The Wall. Mullets Rock. Fight It Back Album Version. SME от лица компании Epic SODRAC, CMRRA, ASCAP, The Royalty Network Publishing и другие авторские общества 10. Head Over Heels. Udo Dirkschneider, Stefan Kaufmann, Deaffy, Peter Baltes, Wolf Hoffmann. Songs in album Accept - Balls To The Wall 1983. Accept - Balls To The Wall. Accept - London Leatherboys. Accept - Guardian Of The Night. Accept - Balls To The Wall 1983. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Using the relentless riff of Balls to the Wall as a battering ram, Accept broke through to the mainstream with its 1983 album of the same name. The title song was, is, and will always be a monster. It could be considered a more malicious and militant rejoinder to ACDCs Highway to Hell. Udo Dirkschneider often sounds like a more unhinged version of Bon Scott, especially on Fight It Back and Turn Me On, two of the albums best songs. Losers and Winners is such a fiercely energized piece of metal that when Dirkschneider squeals Write her a letter youll feel better when its done,. The band's 1983 album, 'Balls to the Wall', subsequently became their most successful release, featuring its well-known hit of the same title. Early years 1976-1982 Accept was originall read more. Accept is a German heavy metal band from the town of Solingen, originally assembled in the early 1970s by Udo Dirkschneider. They played an important role in the development of speed metal and Teutonic thrash metal, being part of the G read more. Accept's most notorious album, Balls to the Wall was also their biggest commercial success. Following hot upon the heels of their creative breakthrough, Restless and Wild, you'd also be hard pressed to find a more sexually charged record in any musical genre. Its hysterically nonsensical lyrics notwithstanding, the legendary title track remains an irresistible, fist-pumping masterpiece that came to epitomize the modern, slow-marching metal anthem as it became known. And when paired with second single London Leatherboys, it arguably constitutes the most blatantly homoeroti