Amy Ellerman - The Angel's Serenade / He Was Despised And Rejected (Messiah) FLAC
Tracklist
| 1 | The Angel's SerenadeComposed By – Brago |
| 2 | He Was Despised And Rejected (Messiah)Composed By – Handel |
Credits
- Contralto Vocals – Amy Ellerman
- Piano – Robert Gaylor (tracks: R)
- Violin – Vera Barstow (tracks: R)
Notes
Side R, Composer surname spelled Brago. Side L, Contralto with Unknown Orchestra
Barcodes
- Matrix / Runout (Side R label): 7891
- Matrix / Runout (Side L label): 7872
Album
Messiah, He Was Despised. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Serenade E major String Orch. Budapest Philharmonic Orchestra. He Was Despised. Anna Reynolds, London Philharmonic Orchestra, Karl Richter, George Frideric Handel. Handel : Messiah : Part 2 He was despised and rejected of men. The Messiah, HWV 56: XXI. He was despised and rejected of men - London Philharmonic Orchestra. Приобретайте пластинки, компакт-диски и многое другое от Amy Ellerman на маркетплейсе , HWV 56, Part II: He was Despised and Rejected of Men - George Frideric Handel. Alexandra Sherman sings 'He was despised' from Handel's Messiah with the Orchestra of the Antipodes and conductor Antony Walker. Messiah, HWV 56: He was despised and rejected of men - Philharmonia Baroque Orchestra, Nicholas McGegan, U. Berkeley Chamber Chorus. New International Version He was despised and rejected by mankind, a man of suffering, and familiar with pain. Like one from whom people hide their faces he was despised, and we held him in low esteem. New Living Translation He was despised and rejected- a man of sorrows, acquainted with deepest grief. We turned our backs on him and looked the other way. He was despised, and we did not care. Contemporary English Version He was hated and rejected his life was filled with sorrow and terrible suffering. Messiah HWV 56, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for
