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Autechre - Oversteps FLAC

Autechre - Oversteps FLAC
Performer:
Autechre
Album:
Oversteps
Style:
IDM, Experimental, Ambient
Released:
22 Feb 2010
Country:
UK
Label:
Warp Records
Catalog:
WARP210, WARPCDD210
FLAC size:
2512 mb
MP3 size:
2177 mb
WMA size:
1042 mb


Tracklist


1Yuop6:20
2qplay4:39
3pt2ph84:10
4Ilanders5:32
5see on see4:37
6known4:43
7d-sho qub6:26
8r ess5:12
9redfall3:49
10os veix34:38
11O=04:53
12Treale6:05
13krYlon6:09
14st epreo4:08


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
WARPCD210Autechre Oversteps ‎(CD, Album)Warp RecordsWARPCD210UK2010
WARPCDD210Autechre Oversteps ‎(14xFile, FLAC, Album)Warp RecordsWARPCDD210UK2010
BRC-252Autechre Oversteps ‎(CD, Album)Beat RecordsBRC-252Japan2010
WARPCD210Autechre Oversteps ‎(CD, Album, Unofficial)Warp Records WARPCD210Unknown
BRC-252, WARPCD210Autechre Oversteps ‎(CD, Album, RP)Beat Records, Warp RecordsBRC-252, WARPCD210JapanUnknown


Notes


Initially this release had the WARP210 catalog number, it was later changed to WARPCDD210.


Video



Album


Oversteps is the tenth album by electronic music duo Autechre, released on Warp Records in 2010. Critics were generally quite positive about Oversteps, with many considering it more focused and accessible than previous albums. A few months after its release, Oversteps was followed by a companion EP entitled Move of Ten. Формируйте собственную коллекцию записей Autechre. This is my third Favorite album By Autechre, the musics evoke always wide spaces, with vast landscapes and the constant presence of the sunlight even if st Epreo or redfall evoke more moonlight , also some of the tracks will toss the listener into mysterious places and theres also a lot of action and thats up to your imagination. My favorite musics are :Ress, Known1, See on See,Youp and Os Veix3 wich is for me the best music of this Album and one of the best musics from all Autechre productions. Oversteps is Autechre's tenth album, released on Warp Records. Title Length 1. r ess 5:13 2. ilanders 5:32 3. known1 4:43 4. pt2ph8 4:10 5. qplay 4:39 6. see on see 4:37 7. Treale 6:05 8. os veix3 4:38 9. d-sho qub 6:26 11. st epreo 4:08 12. redfall 3:. Album 2010 14 Songs. Electronic 2010. Released February 22, 2010. Oversteps Tracklist. R ess . The irrevocably pioneering duo of Sean Booth and Rob Brown return for Autechre's 10th studio album, Oversteps. Their latest work, still very much an Autechre record, shows an oft-overlooked playfulness and a rarely mentioned musicality that comes to the fore-front, in what could be described as their most accessible work to date. Artist Site Released: March 23, 2010 ON Warp. This item:Oversteps by Autechre Audio CD . In stock on June 26, 2020. Order it now. Basically, Oversteps is a classic IDM album, fulfilling the promise of electronic production techniques in making original melodies. But the production is much fuller and more detailed than in most actual nineties IDM, the beats are more varied than those standard 808 snares and hand-claps, and the music uses more diverse instruments. Although Oversteps is much gentler than the Autechre stereotype, it's not complacent. Treale has real forward movement, the opening sounds different from the midsection, and the background ambience changes as the song progresses. Introducing the record is R Ess, which reveals just a hint of the cavernous atmospherics highlighting the album. Make no mistake, the beats are coming, as is the dread synth that sounds like The Terminator reborn, but it's all done in the context of music that is as engaging as it is experimental. Even on Qplay, one of the most jarring tracks with its continual clash of beats and effects, Autechre find the beauty in technical rigor. Oversteps is the only Autechre album i can't really get into all that much. All the others i love and listen to all the time, regardless of how i have them ranked, but Oversteps has yet to really reveal itself to me. Hopefully one day i'll get it. Oversteps clicked for me when I stopped thinking of it as a return to Amber style ambient album and started perceiving the beatless tracks as drifting, and often chaotic on a surface level but utterly algorithmic