| 1 | Sitting On A Barbed Wire Fence - Take 2, Unreleased TakeBass – Joseph Macho, Jr.Drums – Bobby GreggGuitar – Al Gorgoni, Mike BloomfieldOrgan – Al KooperPiano – Frank OwensVocals, Guitar, Harmonica – Bob Dylan | 3:58 |
| 2 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8, Alternate TakeBass – Joseph Macho, Jr.Drums – Bobby GreggGuitar – Al Gorgoni, Mike BloomfieldOrgan – Paul GriffinPiano – Frank OwensVocals, Guitar, Harmonica – Bob Dylan | 3:27 |
| 3 | If You Gotta Go, Go Now - Take 2, Alternate TakeBacking Vocals – Angeline ButlerBass – Joseph Macho, Jr.Drums – Bobby GreggElectric Piano – Frank OwensGuitar – Al Gorgoni, Bruce Langhorne, Kenneth RankinVocals, Guitar, Harmonica – Bob Dylan | 2:49 |
| 4 | Pledging My Time - Take 1, Alternate TakeBass – Henry StrzeleckiDrums – Kenneth ButtreyGuitar – Joe South, Robbie RobertsonPiano – Al Kooper, Hargus 'Pig' RobbinsVocals, Harmonica – Bob Dylan | 3:21 |
| 5 | Just Like A Woman - Take 4, Alternate TakeBass – Henry Strzelecki, Joe SouthDrums – Kenneth ButtreyGuitar – Charlie McCoy, Robbie RobertsonOrgan – Al KooperPiano – Hargus 'Pig' RobbinsVocals, Guitar, Harmonica – Bob Dylan | 5:18 |
| 6 | One Of Us Must Know (Sooner Or Later) - Take 19, Alternate TakeBass – Rick DankoDrums – Bobby GreggGuitar – Robbie RobertsonOrgan – Al KooperPiano – Paul GriffinVocals, Guitar, Harmonica – Bob Dylan | 5:09 |
| 7 | Highway 61 Revisited - Take 3, Alternate TakeBass – Harvey BrooksDrums – Sam LayElectric Piano – Al KooperGuitar – Mike BloomfieldPiano – Frank OwensVocals, Guitar, Harmonica – Bob Dylan | 3:28 |
| 8 | Love Minus Zero / No Limit - Take 2, AcousticBass – John SebastianVocals, Guitar, Harmonica – Bob Dylan | 3:09 |
| 9 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13, Alternate TakeBass – Henry StrzeleckiDrums – Kenneth ButtreyGuitar – Charlie McCoy, Joe SouthOrgan – Al KooperPiano – Hargus 'Pig' RobbinsVocals, Guitar, Harmonica – Bob Dylan | 4:02 |
| 10 | Bob Dylan's 115th Dream - Take 2, Solo AcousticVocals, Guitar, Harmonica – Bob Dylan | 6:15 |
| 11 | Visions Of Johanna - Take 5, RehearsalBass – Rick DankoDrums – Bobby GreggGuitar – Robbie RobertsonOrgan – Garth HudsonPiano – Richard ManuelVocals, Guitar, Harmonica – Bob Dylan | 7:39 |
| 12 | Positively 4th Street - Take 5, Alternate TakeBass – Russ SavakusDrums – Bobby GreggGuitar – Mike BloomfieldOrgan – Al KooperPiano – Frank OwensVocals, Guitar – Bob Dylan | 4:22 |
| 13 | Leopard-Skin Pill-Box Hat - Take 8, Alternate TakeBass – Joe SouthDrums – Kenneth ButtreyGuitar – Charlie McCoy, Jerry Kennedy, Wayne MossOrgan – Al KooperPiano – Hargus 'Pig' RobbinsVocals, Guitar, Harmonica – Bob Dylan | 3:26 |
| 14 | Farewell, Angelina - Take 1, Solo AcousticVocals, Guitar, Harmonica – Bob Dylan | 5:27 |
| 15 | You Don't Have To Do That - Take 1, Solo AcousticVocals, Guitar, Harmonica – Bob Dylan | 0:49 |
| 16 | Like A Rolling Stone - Take 5, RehearsalBass – Joseph Macho, Jr.Drums – Bobby GreggGuitar – Al Gorgoni, Mike BloomfieldOrgan – Paul GriffinPiano – Frank OwensVocals, Piano, Harmonica – Bob Dylan | 1:43 |
| 17 | Can You Please Crawl Out Your Window? - Take 1, Alternate TakeBass – Harvey BrooksCelesta – Al KooperDrums – Bobby GreggGuitar – Mike BloomfieldPiano – Paul GriffinVocals, Guitar, Harmonica – Bob Dylan | 4:03 |
| 18 | Desolation Row - Take 2, Piano DemoBass – Russ SavakusVocals, Piano, Harmonica – Bob Dylan | 1:59 |
| 19 | Mr. Tambourine Man - Take 3, With Band, IncompleteDrums – Bobby GreggGuitar – Bruce LanghorneVocals, Acoustic Guitar – Bob Dylan | 3:23 |
| 20 | Just Like Tom Thumb's Blues - Take 3, RehearsalBass – Harvey BrooksDrums – Bobby GreggElectric Piano – Al KooperGuitar – Mike BloomfieldPiano – Paul GriffinVocals, Guitar, Harmonica – Bob Dylan | 5:38 |
| 21 | Like A Rolling Stone - Take 11, Alternate TakeBass – Joseph Macho, Jr.Drums – Bobby GreggGuitar – Mike BloomfieldOrgan – Al KooperPiano – Paul GriffinTambourine – Bruce LanghorneVocals, Guitar, Harmonica – Bob Dylan | 5:55 |
| 22 | Subterranean Homesick Blues - Take 1, Alternate TakeBass – John Boone , John SebastianDrums – Bobby GreggElectric Piano – Frank OwensGuitar – Bruce Langhorne, John Hammond, Jr.Vocals, Guitar, Harmonica – Bob Dylan | 2:37 |
| 23 | Highway 61 Revisited - Take 7, False StartBass – Harvey BrooksDrums – Sam LayElectric Piano – Al KooperGuitar – Mike BloomfieldPiano – Frank OwensVocals, Guitar, Slide Whistle – Bob Dylan | 0:32 |
| 24 | Outlaw Blues - Take 2, Alternate TakeBass – Joseph Macho, Jr.Guitar – Al GorgoniHarmonica – John SebastianVocals, Guitar – Bob Dylan | 3:28 |
| 25 | Absolutely Sweet Marie - Take 1, Alternate TakeBass – Joe SouthDrums – Kenneth ButtreyGuitar – Charlie McCoy, Robbie Robertson, Wayne MossOrgan – Al KooperPiano – Hargus 'Pig' RobbinsVocals, Guitar – Bob Dylan | 5:00 |
| 26 | California - Take 1, Solo AcousticVocals, Piano, Harmonica – Bob Dylan | 3:04 |
| 27 | I'll Keep It With Mine - Take 1, Piano DemoVocals, Piano, Harmonica – Bob Dylan | 4:10 |
| 28 | Queen Jane Approximately - Take 5, Alternate TakeBass – Harvey BrooksDrums – Bobby GreggGuitar – Mike BloomfieldOrgan – Al KooperPiano – Paul GriffinVocals, Guitar, Harmonica – Bob Dylan | 6:01 |
| 29 | I Want You - Take 4, Alternate TakeBass – Henry Strzelecki, Joe SouthDrums – Kenneth ButtreyGuitar – Charlie McCoyOrgan – Al KooperPiano – Hargus 'Pig' RobbinsVocals, Guitar – Bob Dylan | 2:51 |
| 30 | On The Road Again - Take 4, Alternate TakeBass – Joseph Macho, Jr.Drums – Bobby GreggElectric Piano – Paul GriffinGuitar – Al Gorgoni, Bruce Langhorne, Kenneth RankinVocals, Piano – Bob Dylan | 2:31 |
| 31 | Desolation Row - Take 1, Alternate TakeBass – Russ SavakusVocals, Guitar – Bob Dylan | 11:16 |
| 32 | Medicine Sunday - Take 1, Early Version Of Temporary Like AchillesBass – Rick DankoDrums – Levon HelmGuitar – Robbie RobertsonOrgan – Garth HudsonVocals, Guitar, Harmonica – Bob Dylan | 1:00 |
| 33 | She's Your Lover Now - Take 6, RehearsalBass – Rick DankoDrums – Sandy KonikoffGuitar – Robbie RobertsonOrgan – Garth HudsonPiano – Richard ManuelVocals, Guitar – Bob Dylan | 4:57 |
| 34 | Lunatic Princess - Take 1Bass – Rick DankoDrums – Bobby GreggElectric Piano – Al KooperGuitar – Robbie RobertsonVocals, Guitar – Bob Dylan | 1:19 |
| 35 | Tombstone Blues - Take 1, Alternate TakeBass – Joseph Macho, Jr.Drums – Bobby GreggGuitar – Mike BloomfieldOrgan – Al KooperPiano – Paul GriffinVocals, Guitar, Harmonica – Bob Dylan | 7:28 |
| 36 | She Belongs To Me - Take 1, Solo AcousticVocals, Guitar – Bob Dylan | 2:56 |
The Best of The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 - Bob Dylan. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Tambourine Man - Take 3 1151965 with band, incomplete 13. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 6151965 alternate take 14. One of Us Must Know Sooner or Later - Take 19 1251966 alternate take 12. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 2171966 alternate take 13. Absolutely Sweet Marie - Take 1 371966 alternate take 14. Just Like a Woman - Take 4 381966 alternate take 15. Pledging My Time - Take 1 381966 alternate take 16. I Want You - Take 4 3101966 alternate take 17. Highway 61 Revisited Take 7 821965 false start. The Bootleg Series Vol. 12: The Cutting Edge 19651966 is a compilation album by American singer-songwriter Bob Dylan, released on Legacy Records in November 2015. Between 1965 and 1966 Bob Dylan recorded three albums that many believe changed the course of modern music: Bringing It All back Home, Highway 61 Revisited and Blonde on Blonde. The Cutting Edge 1965-1966: The Bootleg Series Volume 12 takes you inside the studio during the recording of those three albums. With a staggering wealth of unreleased songs, outtakes, rehearsals and alternate versions - The Cutting Edge provides a unique insight into a legendary icon's creative process. 2-CD featuring the best of Bob. Альбом 2015 Песен: 36. Listen free to Bob Dylan The Best Of The Cutting Edge 1965-1966 Love Minus Zero, No Limit - Take 2, Acoustic, I'll Keep It with Mine - Take 1, Piano Demo and more. 36 tracks 144:31. Best of 2015. Discography Browser. The gift of The Cutting Edge is that it makes this, the greatest run of creativity in Dylan's career and perhaps in rock & roll in general, once again seems wild, nervy, and quicksilver, upending expectations and undercutting conventions. Bob Dylan's 115th Dream Take 1 & 2, Solo Acoustic. Bob Dylan. She Belongs to Me Take 1, Solo Acoustic. On the Road Again Take 4, Alternate Take. 12: The Cutting Edge 1965-1966 by Bob Dylan, The 12th release in the singer-songwriter's Bootleg series features outtakes, rehearsal, alternative versions and unreleased songs from 1965 and 19. One of the most illuminating facets of The Cutting Edge is what an unequivocal testament it is, both to the layered ingenuity of the session musicians and Dylans self-ordained composing pursuits. Read full review. It is not just this album but it is all of Bob's recording's I just find them really bad and not really any talent
