Charlie Ventura And His Orchestra - There's No You / Perdido FLAC
Performer:
Charlie Ventura And His Orchestra
Album:
There's No You / Perdido
Tracklist
| 1 | There's No YouWritten-By – Durgona, Hopper, Adair | 3:06 |
| 2 | PerdidoWritten-By – Tizol |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| 89068X45 | Charlie Ventura And His Orchestra | There's No You / Perdido (7") | Clef Records | 89068X45 | US | Unknown |
| 89068 | Charlie Ventura And His Orchestra | There's No You / Perdido (10", Promo) | Clef Records | 89068 | US | 1953 |
Credits
- Supervised By – Norman Granz
Barcodes
Companies
- Record Company – Jazz At The Philharmonic, Inc.
Album
There's No You - Charlie Ventura. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Perdido - Charlie Ventura. There's No You. There's No You, Perdido. Get album. Artist images. Charlie Ventura & His Orchestra. 277 listeners. big band. Do you know any background info about this artist Start the wiki. Charlie Ventura Quartet. Charlie Ventura And His Orchestra. Charlie Ventura Plays Duke Ellington For Dancing Memory: Charlie Ventura, Vol. 3 - Charlie Ventura, George Gershwin. Performer: Charlie Ventura and His Orchestra Writer: Durgona Adair Hopper. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are truncated conical, truncated conical, truncated conical, truncated conical. These were recorded flat and then also equalized with Turnover: 400. 0, Rolloff: -12. The preferred versions suggested by an audio engineer at George Blood, L. have been copied to have the more friendly filenames. Matrix number: C588 5 Catalog number: 89068. Other IDs from the record include: C-588-5. Charlie Ventura - There's No You 1949 - The Overjazz Channel aims to offer only the best recordings of the begining era of modern broadcasts of Charlie and His Orchestra were not available in the Fatherland proper, but that only enhanced their legend, and they picked up an underground following in Germany as well. The notion of this material having its desired effect seems ludicrous in retrospect, but imagine yourself an East Coast resident of the United States during a period when victory over the Nazis was not assured. As you scan the radio dial aware that German U-boats may be trolling the seas miles away from your home, you come across the song Submarines. If the desired effect was to crush morale and
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