Crass - The Feeding Of The Five Thousand (The Second Sitting) FLAC

Tracklist

Versions

Credits

• Artwork, Coordinator [Coordination] – G
• Bass – Pete Wright
• Drums, Noises [Radio] – Penny Rimbaud
• Lacquer Cut By – Pecko (tracks: B1 to B9), Porky (tracks: A1 to A9)
• Lead Guitar, Backing Vocals – Phil Free
• Lead Vocals – Steve Ignorant
• Liner Notes – Garry Bushell, Tony Parsons
• Producer, Written-By, Design – Crass
• Rhythm Guitar, Backing Vocals – N.A. Palmer
• Vocals – Pete Wright (tracks: B3 to B5)
• Voice – Virginia Creeper (tracks: B2)

Notes

MADE IN FRANCE

Barcodes

• Matrix / Runout (Graved Runout Side A): 621984 A-5-1-1 FROM WENNY ACORNS
• Matrix / Runout (Graved Runout Side B): 621984 B-5-1-1 THE MIGHTY A.N.O.K. DON'T GROW.

Companies

• Recorded At – Southern Studios
• Copyright (c) – Crass
• Phonographic Copyright (p) – Crass
• Published By – Small Wonder Music Ltd.

Video

Album

A later repress of The Feeding of The 5000 subtitled The Second Sitting released on Crass records in 1980 restored the missing track. Crass helped reinitiate the influence of the Campaign for Nuclear Disarmament and the wider peace campaign in the UK with the songs like They've Got a Bomb, Fight War Not Wars and the adoption of the CND Symbol at their live concerts. They've got a Bomb also has a period of silence within it, inspired by John Cage's 4'33. The feeding of the five thousand is a well-known phrase in Christian tradition, being the name of a Biblical miracle in which a small amount of food is said to have fed 5,000 people. The Feeding of the Five Thousand The Second Sitting. Believe Music, The Orchard. 50 видео Воспроизвести все Микс Crass - 1978 18 Songs. More by Crass. Ten Notes On a Summer's Day The Swansong. Normal Never Was - Single. Bomb Rlr Remix - Single. Christ The Album. Stations of the Crass. Best Before 1984. Penis Envy. Listen free to Crass The Feeding Of The Five Thousand The Second Sitting Asylum, Do They Owe Us a Living and more. 18 tracks 38:36. A new version of is available, to keep everything running smoothly, please reload the site. The Feeding Of The Five Thousand The Second Sitting. Play album. Get album. Do you know any background info about this album Start the wiki. The Second Sitting is a reprint of Crass' first LP, replacing the one-minute silent track The Sound of Free Speech with Asylum, the track that was originally supposed to open the album. Original pressings in 1979 lacked Asylum due to the workers refusing to print the tracks blasphemous language. The Feeding of the 5000 The Second Sitting Q&A. Artwork Gee Vaucher. The album has been remastered by Alex Gordon and Penny Rimbaud at Abbey Road Studios as close as possible to the sound of the original release as it was in the beginning - From distributor website. Comes in clear protective outer sleeve with white sticker on front stating remastered at Abbey Road Studios. Other copies have 6 crossed out and replaced with a supposedly hand written 5, this occurred on second pressings of the original release. The first issue original release just has 621984. THIS release has 6 crossed out and is replaced by a supposedly hand written 4. Feeding Of The Five Thous. has been added to your Cart. Add gift options. The original album artwork folds out into a mini-poster and the CD is housed in its own gatefold sleeve, which has recording information on the four sections of music original album, Rimbaud and Ignorant in a duo performance, in an unknown studio on August 27, 1977, and at Southern Studios on February 27, 1978. Rimbaud's spoken word composition Asylum sounds even more powerful, though the classics Do They Owe Us a Living, Punk is Dead and Fight War Not Wars gleam with renewed energy. No, thanks. more quotes. Now playing: The Weeknd Blinding Lights. Радио Мост. Alannah Myles Black Velvet. Perhaps the most uncompromising early British punk record, though a long way from the best. This is far more interesting for its form than its content super-brief, incoherent rants over pummeling drums and incomprehensible vocals were made into a hardcore cliché by the early '80s, but were impossibly radical and noisy in 1978