Daryl Hall And John Oates - Beauty On A Back Street FLAC

Tracklist
| 1 | You Must Be Good For SomethingBacking Vocals – Christopher Bond, Tommy MottolaLyrics By – Daryl Hall, John OatesMusic By – Daryl Hall | 3:28 |
| 2 | Why Do Lovers Break Each Other's Heart?Backing Vocals – Christopher BondLyrics By – Daryl Hall, Sara AllenMusic By – Daryl Hall | 3:13 |
| 3 | Don't ChangeLyrics By – Daryl Hall, John Oates, Sara AllenMusic By – Daryl Hall | 3:30 |
| 4 | The EmptynessBacking Vocals – Christopher BondBass [2nd Bass] – Jimmy HughartPiano – John OatesWritten-By – John Oates | 3:32 |
| 5 | Bad Habits And InfectionsWritten-By – Daryl Hall | 6:00 |
| 6 | Love Hurts (Love Heals)Bass – Sertly EdwardsSaxophone – Tom ScottWritten-By – John Oates | 3:08 |
| 7 | Bigger Than Both Of UsLyrics By – Daryl Hall, John OatesMusic By – Daryl Hall | 4:30 |
| 8 | The Girl Who Used To BeSaxophone – Tom ScottWritten-By – John Oates | 4:10 |
| 9 | Winged BullWritten-By – Daryl Hall | 4:37 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| AFL1-2300 | Daryl Hall And John Oates | Beauty On A Back Street (LP, Album) | RCA Victor | AFL1-2300 | US | 1977 |
| BVCM-37288, 74321-92654-2 | Daryl Hall And John Oates | Beauty On A Back Street (CD, Album, RE, Car) | BMG, RCA | BVCM-37288, 74321-92654-2 | Japan | 2002 |
| R28P-1103 | Daryl Hall And John Oates | Beauty On A Back Street (CD, Album, RE) | RCA | R28P-1103 | Japan | 1987 |
| AFL1-2300 | Daryl Hall And John Oates | Beauty On A Back Street (LP, Album) | RCA Victor | AFL1-2300 | Brazil | 1977 |
| PL-12300 | Daryl Hall And John Oates | Beauty On A Back Street (LP, Album) | RCA Victor | PL-12300 | Netherlands | 1977 |
Credits
- Arranged By – Christopher Bond, Daryl Hall, John Oates
- Bass – Lee Sklar (tracks: A1 to A4, B1 to B4)
- Drums, Drums [Electronic] – Jeff Porcaro
- Electronics [Tonalities], Guitar [Lead 6 & 12 String], Keyboards, Synthesizer – Christopher Bond (tracks: B3, B4)
- Engineer [Assistant] – Linda Tyler
- Engineer [Recording] – John Mills
- Lacquer Cut By – MK
- Management – Tommy Mottola
- Percussion, Electronics [Special Effects] – Gary Coleman
- Photography By – John Beau
- Producer, Arranged By [Strings], Conductor – Christopher Bond
- Recorded By [Strings] – Armin Steiner
- Vocals [All], Guitar [Rhythm], Guitar [Mando] – John Oates
- Vocals [All], Keyboards, Synthesizer [Poolymoog], Mandolin – Daryl Hall
Notes
Contains printed black and white insert with credits and lyrics on one side, photo on the other.
Barcodes
- Matrix / Runout (Side A runout etched): LRCA-S-73068-1 22378 MK
- Matrix / Runout (Side B runout etched): LRCA-S-73068-2 22378 MK
- Rights Society: SOKOJ
Companies
- Manufactured By – Jugoton Records
- Phonographic Copyright (p) – RCA Records
- Copyright (c) – RCA Records
- Recorded At – Sound Labs, Hollywood
- Mixed At – Sound Labs, Hollywood
- Mastered At – Sterling Sound
- Published By – Hot-Cha Music Co.
- Published By – Unichappell Music, Inc.
- Printed By – GIP "Beograd"
Album
Beauty on a Back Street is the sixth studio album by American pop music duo Hall & Oates. The album was released October 11, 1977, by RCA Records. Daryl Hall lead vocals 1, 2, 3, 6, 7, 8, backing vocals, keyboards, Polymoog synthesizer, guitars, mandolins. John Oates lead vocals 4, 5, 9, backing vocals, rhythm guitars, mando-guitar, dulcimer 4, electric piano 4. Beauty on a Back Street isn't quite as accomplished as its two predecessors, yet it is more ambitious and diverse, as Hall & Oates begin to add some arena-rock conventions to their sound, particularly distorted guitars and anthemic choruses. On War Babies they had tried a similar attack, but on Beauty on a Back Street, the duo's songwriting was stronger, which meant that the instrumental approach didn't overwhelm the actual songs. Daryl Hall & John Oates. Songs in album Daryl Hall & John Oates - Beauty On A Back Street 1977. Daryl Hall & John Oates - Don't Change. Daryl Hall & John Oates - Why Do Lovers Break Each Other's Heart 607. Daryl Hall & John Oates - You Must Be Good For Something. Daryl Hall & John Oates - The Emptyness. Daryl Hall & John Oates - Love Hurts Love Heals. Daryl Hall & John Oates - Bigger Than Both Of Us. Daryl Hall & John Oates: все альбомы, включая Past Times Behind , Legends Live in Concert , Home for Christmas и другие. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1977 Vinyl от Beauty On A Back Street на . Beauty on a Back Street. Hall & Oates. Released 1977. Beauty on a Back Street Tracklist. Don't Change Lyrics. The Essential Daryl Hall & John Oates. Show all albums by Hall & Oates. Beauty on a Back Street is the sixth studio album by Hall & Oates, released in 1977. This album takes a more rock-oriented approach, similar to War Babies, but more streamlined and polished. Both Daryl Hall and John Oates claim to hate this album, and many of Hall and Oates' most comprehensive compilations, such as The Essential Daryl Hall & John Oates originally released as Ultimate Daryl Hall John Oates and the 2009 box set, Do What You Want, Be What You Are: The Music of Hall and Oates, do not include any songs from this album. Beauty On a Back Street, 1977. Don't Change, 03:35. Why Do Lovers Break Each Other's Heart, 03:15. You Must Be Good for Something, 03:30. The Emptyness, 03:37. Love Hurts Love Heals, 03:10. Daryl Hall & John Oates 01-09-1977. Total duration:36 min. Don't Change. Beauty On a Back Street. Composers: Daryl Hall - John Oates - Sara Allen. Why Do Lovers Break Each Other's Heart Daryl Hall & John Oates. Composers: Daryl Hall - Sara Allen. You Must Be Good for Something. Composers: Daryl Hall - John Oates. The Emptyness. Composers: John Oates. Love Hurts Love. Listen free to Hall & Oates Beauty on a Back Street Don't Change, Why Do Lovers Break Each Other's Heart and more. 9 tracks 36:08. Do you know any background info about this album Start the wiki. Daryl Hall & John Oates are an American musical duo. Known as one of the most popular duos in modern musical history, they achieved their greatest fame from the late 70s to the mid-80s, having a fusion of rock and roll with rhythm and blues that they dubbed rock and soul






















