Tracklist
| 1 | (iii) Menuet |
| 2 | Danse - Tarantelle StyrienneOrchestrated By – Ravel | 2:40 |
| 3 | (ii) Jeux De Vagues (Play Of The Waves) | 6:00 |
| 4 | Petite SuiteOrchestrated By – Büsser | (15:05) |
| 5 | (i) En Bateau |
| 6 | (i) De L'Aube À Midi Sur La Mer (From Dawn To Midday On The Sea) | 7:45 |
| 7 | (ii) Cortège |
| 8 | (iii) Dialogue Du Vent Et De La Mer (Dialogue Of The Wind And The Sea) | 7:20 |
| 9 | Prélude À L'Après-Midi D'Un Faune | 9:00 |
| 10 | Suite Bergamasque - Clair De LuneOrchestrated By [Uncredited] – André Caplet | 4:14 |
| 11 | (iv) Ballet |
| 12 | La Mer |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| ND 794 | Ernest Ansermet Dirigiert Debussy, Orchestre De La Suisse Romande | Ernest Ansermet Dirigiert Debussy, Orchestre De La Suisse Romande - La Mer, Clair De Lune, L'Apres-Midi D' Un Faune (LP, Comp) | Decca | ND 794 | Germany | Unknown |
| 6.41772 | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy - Ernest Ansermet Dirigiert Debussy La Mer - Clair De Lune - L'apres-midi D' Un Faune (LP) | Decca | 6.41772 | Germany | 1973 |
| 6.41772, ND 794 | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy - Ernest Ansermet Dirigiert Debussy La Mer - Clair De Lune - L'apres-midi D' Un Faune (LP, RE) | Decca, Decca | 6.41772, ND 794 | Germany | 1973 |
| 6.41772, ND 794 | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy | L'Orchestre De La Suisse Romande, Ernest Ansermet, Claude Debussy - Ernest Ansermet Dirigiert Debussy La Mer - Clair De Lune - L'apres-midi D' Un Faune (LP) | Decca, Decca | 6.41772, ND 794 | Germany | 1974 |
| SPA 231, SPA.231 | Debussy | La Mer (LP, Comp, RE, RP) | Decca, Decca | SPA 231, SPA.231 | UK | Unknown |
Credits
- Composed By – Debussy
- Conductor – Ernest Ansermet
- Engineer [Uncredited] – Roy Wallace
- Mastered By – W
- Orchestra – L'Orchestre De La Suisse Romande
- Photography By [Cover] – Leo Chapman
- Producer [Uncredited] – James Walker (tracks: A1 to B1, B6), Michael Bremner (tracks: B2 to B5)
Barcodes
- Matrix / Runout (Side A ): ZAL-11264
- Matrix / Runout (Side B ): ZAL-11265
Album
La mer, trois esquisses symphoniques pour orchestre French for The sea, three symphonic sketches for orchestra, or simply La mer The Sea, L. 109, CD. 111, is an orchestral composition by the French composer Claude Debussy. Composed between 1903 and 1905, the piece was premiered in Paris in October 1905. It was initially not well received even some who had been strong supporters of Debussy's work were unenthusiastic. But the work was performed in the US in 1907 and Britain in 1908 after its. Claude Debussy: La Mer & Ibéria - Philadelphia Orchestra, Claude Debussy. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Debussy Ibéria, Prélude à l'après-midi d'un faune and La Mer and Ravel Ma Mère l'Oye - Paul Paray, Detroit Symphony Orchestra, Claude Debussy. La Mer , The Sea, is an orchestral composition by Claude Debussy. It was started in 1903 in France and completed in 1905 on the English to music from Debussy: La Mer like From dawn to midday on the sea, Dialogue of the wind and the sea & more. Find the latest tracks, albums, and images from Debussy: La - La Mer. Claude Debussy's rich and evocative depiction of the underwater realm remains an impressionistic milestone, a classic of its type. But what makes La Mer so good Ever-resistant to the confines of normal practice, impressionist composer Claude Debussy insisted that his La Mer was not a symphony. La Mer literally 'The Sea' was a confusing prospect to audiences of 1905, as it was neither a normal symphony nor a complete departure. Parisian audiences initially didn't really warm to it either, perhaps partly because of the scandal of Debussy having left his wife for the singer Emma Barduc. Debussy: La Mer Preludes. Even in the performance of Debussy's La Mer that opens the disc, Elder and the Hallé sound too muscular, too aggressive, and too blatant for the music, making this véritable compositeur français sound like an echt deutscher Komponist. This isn't to say they can't play the music - Elder is a dynamic conductor with a highly developed sense of drama and under him the Hallé has become a first-rate English orchestra with plenty of polish, power, and passion - this is to say, however, that either transcribed or in its original state, Debussy is not their. La Mer is a winning performance because Dutoit takes his time to shape the music, creating waves of sound just listen to the close of the first movement for a wonderful surge from the horns. Dutoit really lets the brass play out in the trio for lack of a better term of Fetes, while the return of the fast music. This is one-stop shopping for Debussy, a remarkable bargain, and no listener can possibly complain. These are highly competitive performances, not least owing to Decca's digital sound and the responsiveness of the Montreal players they do have a Gallic sound and performance style. Debussy: La Mer, L. 111a: I. De l'aube à midi sur la mer. 111a: II. Jeux de vagues. 111a: III. Dialogue du vent et de la mer. La Mer 1905. Album by Claude Debussy. De L'aube à Midi Sur La Mer. was sampled in. Spindrift by Biosphere 2002. Houses on the Hill by Biosphere 2002. Dialogue Du Vent Et De La Mer. Heat Leak by Biosphere 2002