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Delaney & Bonnie & Friends - To Bonnie From Delaney FLAC

Delaney & Bonnie & Friends - To Bonnie From Delaney FLAC
Performer:
Delaney & Bonnie & Friends
Album:
To Bonnie From Delaney
Style:
Blues Rock
Released:
1970
Country:
US
Label:
ATCO Records
Catalog:
SD 33-341
FLAC size:
1651 mb
MP3 size:
1981 mb
WMA size:
1001 mb


Tracklist


1Soul Shake
Written-By – Lewis, Smith
3:10
2Alone Together
Written-By – Whitlock, Bramlett, Bramlett
3:13
3Come On In My Kitchen
Written-By – Payne
4Lay Down My Burden
Piano – Mike UtleyWritten-By – Utley, Bogard
3:35
5They Call It Rock & Roll Music
Tenor Saxophone [Tenor Sax Solo], Soloist – King CurtisWritten-By – Bramlett
3:33
6Free The People
Written-By – Keith
2:47
7God Knows I Love You
Steel Guitar – Sneeky PeteWritten-By – Bramlett, Davis
2:46
8Hard Luck And Troubles
Written-By – Bramlett
2:35
9Going Down The Road Feeling Bad
Arranged By – BramlettWritten-By – Traditional
10Miss Ann
Piano – Little RichardWritten-By – Johnson, Penniman
5:01
11Medley:(4:10)
12Living On The Open Road
Written-By – Bramlett
3:02
13Let Me Be Your Man
Written-By – Soule, Woodford
3:20
14Mama, He Treats Your Daughter Mean
Written-By – Singleton, Lance, Wallace
15The Love Of My Man
Written-By – Townsend
4:28


Credits


  • Alto Saxophone [Alto Sax]Jerry Jumonville (tracks: A6, B3, B4)
  • Baritone Saxophone [Baritone Sax]Floyd Newman (tracks: A1 to A5, B1, B2, B5, B6)
  • BassJerry Scheff (tracks: A1 to A5, B1, B2, B5, B6), Kenny Gradney (tracks: A6, B3, B4), Tom McClure (tracks: A1 to A5, B1, B2, B5, B6)
  • CongasSam Clayton (tracks: A1 to A5, B1, B2, B5, B6)
  • DrumsChuck Morgan (tracks: A6, B3, B4), Ron Tutt (tracks: A1 to A5, B1, B2, B5, B6), Sammy Creason (tracks: A1 to A5, B1, B2, B5, B6)
  • Engineer [Re-mix Engineer]Gene Paul (tracks: A6, B3, B4)
  • Engineer [Recording Engineer]Don Casale (tracks: A6, B3, B4)
  • Engineer [Recording Engineers]Chuck Kirkpatrick (tracks: A1 to A5, B1, B2, B5, B6), Ron Albert (tracks: A1 to A5, B1, B2, B5, B6)
  • HornsThe Memphis Horns (tracks: A1 to A5, B1, B2, B5, B6)
  • Lead GuitarBen Benay (tracks: A6, B3, B4), Charlie Freeman (tracks: A1 to A5, B1, B2, B5, B6)
  • ManagementGroup 3
  • Mastered ByaB
  • Organ, VocalsBobby Whitlock (tracks: A1 to A5, B1, B2, B5, B6)
  • PercussionAlan Estes (tracks: A1 to A5, B1, B2, B5, B6)
  • Performer [Memphis Horns, The]Andrew Love (tracks: A1 to A5, B1, B2, B5, B6), Ed Logan (tracks: A1 to A5, B1, B2, B5, B6), Floyd Newman (tracks: A1 to A5, B1, B2, B5, B6), Jack Hale (tracks: A1 to A5, B1, B2, B5, B6), Wayne Jackson (tracks: A1 to A5, B1, B2, B5, B6)
  • Photography By, Design [Album Design]Barry Feinstein, Tom Wilkes
  • PianoJim Dickinson (tracks: A1 to A5, B1, B2, B5, B6)
  • Piano, OrganJim Gordon (tracks: A6, B3, B4)
  • ProducerDelaney Bramlett, Jerry Wexler, Tom Dowd
  • Rhythm Guitar, VocalsDelaney Bramlett
  • Slide GuitarDuane Allman
  • Tenor Saxophone [Tenor Sax]Andrew Love (tracks: A1 to A5, B1, B2, B5, B6), Ed Logan (tracks: A1 to A5, B1, B2, B5, B6), Frank Mayes (tracks: A6, B3, B4)
  • TromboneJack Hale (tracks: A1 to A5, B1, B2, B5, B6)
  • TrumpetWayne Jackson (tracks: A1 to A5, B1, B2, B5, B6)
  • Trumpet, TromboneDarrell Leonard (tracks: A6, B3, B4)
  • VocalsBonnie Bramlett


Notes


Gatefold sleeve

A6, B3, B4 were recorded at Decca Studios, New York, N.Y.

God Bless King Curtis for his assistance in the production of these songs.

All the other selections in this album were recorded at Atlantic South-Criteria Studios, Miami, Florida.

Photography & album design for Camouflage Productions.

Little Richard appears on this album through the courtesy of REPRISE RECORDS.

Duane Allman appears courtesy CAPRICORN RECORDS by special arrangement with Phil Walden & Associates, Inc.

©1970 Atlantic Recording Corporation
Printed in U.S.A.

[Publisher]
A1, Delbon-Cotillion, BMI
A2, Metric, BMI
A3, Mountain View, BMI
A4a, Noma-Nice Songs, BMI
A4b, Marvin, ASCAP
A4c, Metric, BMI
A5, Gambi, BMI
A6, Delbon-Cotillion, BMI
B1, Shelby Singleton, BMI
B2, Venice, BMI
B3, Delbon-Cotillion, BMI
B4, Metric, BMI
B5, Muscle Shoals Sound-Cotillion, BMI
B6, Leo Feist, ASCAP


Barcodes


  • Matrix / Runout (Runout, Etched, Side One): ST-C-701973-CC △ AT / △15138 aB W
  • Matrix / Runout (Runout, Etched, Side Two): ST-C-701974-CC △ AT / △15138-X aB W
  • Matrix / Runout (Label, Side One): (ST-C-701973-MO)
  • Matrix / Runout (Label, Side Two): (ST-C-701974-MO)
  • Rights Society: BMI, ASCAP
  • Matrix / Runout (Runout, Stamped): MR (circled)


Companies


  • Published By – Delbon Music
  • Published By – Cotillion Music
  • Published By – Metric Music
  • Published By – Mountain View
  • Published By – Noma-Nice Songs
  • Published By – Marvin Music
  • Published By – Gambi Music
  • Published By – Shelby Singleton
  • Published By – Venice Music
  • Published By – Muscle Shoals Sound-Cotillion
  • Published By – Leo Feist, Inc.
  • Recorded At – Criteria Recording Studios
  • Recorded At – Decca Studios, New York
  • Copyright (c) – Atlantic Recording Corporation
  • Pressed By – Monarch Record Mfg. Co. – △15138


Album


To Bonnie from Delaney is the fourth album by Delaney & Bonnie and Friends. It was their first studio album for the AtcoAtlantic label catalog no. SD 33-341, and their fourth album overall. Coincidentally, AtcoAtlantic's parent company purchased the Bramletts' previous label Elektra Records around this time. The album peaked at 58 on the Billboard album chart in October 1970, with a single from the album released around that same time, Soul Shake, also charting. Several of the album's songs. The Original Delaney & Bonnie, also known by its subtitle Accept No Substitute, is the second studio album by American recording duo Delaney & Bonnie. It was recorded with many of the friends that would form the core of their best-known 196970 touring band, including Leon Russell, Bobby Whitlock, Carl Radle and Rita Coolidge. The Original Delaney & Bonnie & Friends was released in July 1969 after Delaney & Bonnie had signed to Elektra Records. It charted at only number 175 on the Billboard 200 in. Delaney & Bonnie were the American musical duo of singersongwriters Delaney Bramlett and Bonnie Bramlett. In 1969 and 1970, they fronted a rocksoul ensemble, Delaney & Bonnie and Friends, whose members at different times included Duane Allman, Gregg Allman, George Harrison, Leon Russell, Bobby Whitlock, Dave Mason, Rita Coolidge, King Curtis, and Eric Clapton. Songs in album Delaney & Bonnie - To Bonnie From Delaney 1970. Delaney & Bonnie - Hard Luck And Troubles. Delaney & Bonnie - God Only Knows I Love You. Delaney & Bonnie - Lay Down My Burden. Delaney & Bonnie - Medley: Come On In My Kitchen, Mama, He Treats Your Daughter Mean, Going Down The Road Feeling Bad. Delaney & Bonnie - The Love Of My Man. Delaney & Bonnie - They Call It Rock & Roll Music. Delaney & Bonnie -. Delaney and Bonnie hit their pop-soul prime on this, their first Atlantic Records album. Buoyed by their acclaim from their first Elektra album, as well as their association with Eric Clapton, the group switched record labels and recorded this, probably their most definitive album. Backed by an awesome cast of musicians which included Jim Gordon drums, Kenny Gradney bass - later of Little Feat, and many others, this record shows why anyone connected with the band became a tambourine-shaking convert to soul-based rhythm & blues rock. Well, Well - Delaney, Bonnie, Delaney & Bonnie And Friends. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2016 CD от To Bonnie From Delaney на free to Delaney & Bonnie & Friends To Bonnie From Delaney Hard Luck and Troubles, God Knows I Love You and more. 11 tracks 37:30. This is a Danish TV recording of Delaney & Bonnie & Friends performing. This is the rare complete recording in good quality. Note: The Friends is Delaney & Bonnie back in the do. every album they recorded was always better than what their friends were releasing in that same time span. To Bonnie From Delaney ' wasn't their best studio lp,that honor goes to Accept No Substitute. But is damn close. I was overjoyed that it finally made it to CD, but I'm wondering what generation tape was used by Wounded Bird