clubdiva
» » Don Pullen - Kele Mou Bana

Don Pullen - Kele Mou Bana FLAC

Don Pullen - Kele Mou Bana FLAC
Performer:
Don Pullen
Album:
Kele Mou Bana
Style:
Contemporary Jazz
Released:
1992
Country:
US
Label:
Blue Note
Catalog:
CDP 7 98166 2
FLAC size:
2483 mb
MP3 size:
2828 mb
WMA size:
1496 mb


Tracklist


1Kele Mou Bana
Vocals – Mor ThiamWritten-By – Mor Thiam
11:33
2Capoeira
Written-By – Guilherme Franco
7:00
3Cimili/Drum Talk
Vocals – Mor ThiamWritten-By – Mor Thiam
3:16
4Doo-Wop Daze
Written-By – Don Pullen
11:46
5Yebino Spring
Written-By – Yebga Likoba
8:48
6Listen To The People (Bonnie's Bossa Nova)
Vocals – Keith Pullen, Tameka PullenWritten-By – Don Pullen
8:00
7L.V.M./Directo Ad Assunto
Written-By – Nilson Natta
5:13


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
TOCJ-5709Don Pullen Kele Mou Bana ‎(CD, Album, Promo)Blue NoteTOCJ-5709Japan1992


Credits


  • Alto SaxophoneCarlos Ward
  • Art DirectionCynthia Cochrane
  • BassNilson Matta
  • DesignMark Larson
  • Djembe, Rainstick, Wind ChimesMor Thiam
  • EngineerLou Holtzman
  • Liner NotesHoward Mandel
  • Mastered ByRon McMaster
  • PianoDon Pullen
  • ProducerMichael Cuscuna
  • Timbales, Berimbau, PercussionGuilherme Franco


Notes


Printed in Canada (back cover and on back side of insert)


Barcodes


  • Barcode: 0 7777-98166-2 0
  • Matrix / Runout: B2 98166 S2203D 1-1-1 CAPITOL JAX 1 C


Companies


  • Copyright (c) – Capitol Records, Inc.
  • Phonographic Copyright (p) – Capitol Records, Inc.
  • Manufactured By – Capitol Records, Inc.
  • Recorded At – East Side Sound
  • Pressed By – Capitol Jax


Video



Album


Don Gabriel Pullen December 25, 1941 April 22, 1995 was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. Their first album, Kele Mou Bana, was released in 1991. Their second, but very different, album of 1993, Ode To Life, was a tribute to George Adams, who had died on November 14, 1992,containing Pullen's heartfelt and moving composition in Adams' memory, Ah George We Hardly Knew Ya. A third album, , recorded in July 1993 at the Montreux Jazz Festival, was not released until 1995. Kele Mou Bana. Don Pullen. Jazz 's Promises. Montreux Concert. The Best of Don Pullen: The Blue Note Years. Live at Carlos I: Another Night with Don Pullen, Idris Muhammad, Chief Bey & Fred Hopkins. Hamiet Bluiett & Concept, Idris Muhammad, Don Pullen, Chief Bey, Fred Hopkins. 1997 Live. Live At Carlos I with Don Pullen, Idris Muhammad, Chief Bey & Fred Hopkins. Kele Mou Bana, 1992. Directo Ao Assunto, 05:16. CimiliDrum Talk, 03:16. Provided to YouTube by Universal Music Group Kele Mou Bana Don Pullen Kele Mou Bana 1992 Capitol Records, LLC Released on: 1992-05-07 Producer: Mou Bana is an album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1990 for the Blue Note label. Nastos awarded the album 3 stars stating Everything with this band clicks from the word go, as Pullen weaves his way through a panoramic world view that, in this limited CD format, seems like he's merely scratching the surface of what this ensemble is capable of. Capoeira Guilherme Franco - 7:00. Don Pullen: American jazz pianist and organist. The great variety of his body of work makes it difficult to pigeonhole his musical style. God has smiled on Me, Let's Be Friends, Last Year's Lies And Tomorrow's Promises и другие песни. Kele Mou Bana is a afro-cuban jazz music album recording by DON PULLEN released in 1992 on CD, LPVinyl andor cassette. Capoeira 7:03 2. Listen to the People 8:03 3. Kele Mou Bana 11:32 4. Directo ad Assunto 5:16 5. Yebino Spring 8:50 6. Doo-Wop Daze 11:50 7. CimiliDrum Talk 3:16. Total Time: 55:54. Listen free to Don Pullen Kele Mou Bana Capoeira, Listen to the People and more. 7 tracks 55:42. Don Pullen December 25, 1941 - April 22, 1995 was an American jazz pianist and organist. Don Pullen developed an extended technique for the piano and a strikingly individual style, post-bop and modern, but retaining a strong feeling for the blues. He produced acknowledged masterworks of jazz in a range of formats and styles, crossing and mixing genres long before this became almost commonplace