Ellen Fullman - Change Of Direction FLAC

Tracklist
| 1 | Harmonic Cross Sweep - Overtone Series Of C Chord Progression | 5:06 |
| 2 | Nocnoca Progression | 2:53 |
| 3 | Receeding Parade - Train Whistle Alternate | 4:30 |
| 4 | Bass Melody - Overtone Series Of G Chord Progression - Swingset | 4:07 |
| 5 | Slow Alternate - Bass Alternate | 9:54 |
| 6 | Nocnoca/Aconcon Flip | 10:26 |
| 7 | Backward Bunny Hop | 2:48 |
| 8 | Aconcon Progression | 7:28 |
| 9 | Plucking | 2:47 |
| 10 | Oldies | 1:19 |
| 11 | Slow Melody | 3:55 |
Credits
- Design [Graphic Design] – Ellen Fullman
- Liner Notes – Ellen Fullman
- Mastered By – Jerry Tubb
- Performer [Performed On The Long String Instrument By] – Elise Gould, Ellen Fullman, Nigel Jacobs
- Photography By [Back Cover Photo] – Peter Simonie
- Photography By [Front Cover Photo] – Todd V. Wolfson
- Photography By [Inside Booklet Photos] – Ellen Fullman
- Photography By [Photo Of EF] – Angelina Baldoz
- Recorded By, Edited By – Ellen Fullman
Notes
Works for the "Long String Instrument", an invention of the artist.
Mastered at Terra Nova Digital Audio.
Special thanks to Pat Graney, Jeff Gersen, Ben Geffen, Gabriella Gutierrez, Emily Little, Sally Fullman, Herb Levy, Nigel Jacobs, Elise Gould, Deborah Hay, Angeles Romero and Angelina Baldoz.
Barcodes
- Barcode: 022551010222
Companies
- Copyright (c) – New Albion Records
- Phonographic Copyright (p) – New Albion Records
- Mastered At – Terra Nova Digital Audio
Video
Album
Альбом 1999 Песен: 11. Ellen Fullman's third album, Change of Direction, culminates her Long String Instrument project, which began in 1981 when she discovered the haunting tones created by long wires stretched over great distances. The Long String Instrument consists of 100 wires strung over a 90-foot span, and is rubbed by three performers for a flowing, resonant sound. Change of Direction's 11 tracks capitalize on this quality, resulting in songs that sound like ghostly blues. Pieces like NocnocaAconcon Flip and Aconcon Progression are variations on a theme, set to a walking cad. Harmonic Cross Sweep - Overtone Series Of C Chord Progression - Ellen Fullman. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Former DuPont CEO Ellen J. Kullman, a Tufts alumna, returned to campus to deliver the commencement address to the Tufts University Class of 2018 on Kullman Bows Out At DuPont Amid Activist Fight, Leaving Transformation Unfinished. Ellen Kullman said on Monday she will retire as chairman and CEO of DuPont in mid-October after leading the chemical giant for the past seven years. Kullman will be replaced on an interim basis by board member Edward Breen, the former CEO of Tyco International, and her departure comes just months after DuPont narrowly won a ByAntoine GaraForbes Staff. Jul 28, 2015. Ellen Jamison Kullman is an American business executive. She is President, Chair and Chief Executive Officer of E. du Pont de Nemours and Company DuPont in Wilmington and a former director of General Motors. Forbes ranked her 4th of the 100 Most Powerful Women in 2011. A powerful business-lesson that was has learned: If you dont water it, its going to die. Other photo of Ellen Jamison Kullman. Listen free to Ellen Fullman Change Of Direction Harmonic Cross Sweep - Overtone Series Of C Chord Progression, Backward Bunny Hop and more. 11 tracks 56:34. Ellen Fullman born 1957 is a composer known principally for music she has written for an instrument she invented, the long string instrument. Change Of Direction. Ellen Fullman Artist Format: Audio CD. Please retry. Change Of Direction by Ellen Fullman. At its most extended point, the Long String Instrument reaches 90 feet and requires multiple performers. Ellen Fullman born 1957 is an American composer, instrument builder, and performer. She was born in Memphis, Tennessee, and is currently based in the San Francisco Bay Area. She is known for her 70-foot 21-meter Long String instrument, tuned in just intonation and played with rosin-coated fingers. Fullman studied sculpture at the Kansas City Art Institute before moving to New York in the early 1980s. In Kansas City she created and performed in an amplified metal sound-producing skirt and wrote art





















