Eminem - The Slim Shady LP FLAC

Tracklist

Versions

Credits

• Artwork [Art Direction, Design] – Mark LeRoy
• Artwork [Illustration] – Skam2?, Super Manu
• Edited By [Digital], Mastered By [Pre-mastering] – Blumpy
• Engineer – Aaron Lepley, Alan Mason, Blumpy , DJ Daze , Greg Burns, Michael Wilder, Richard "Segal" Huredia, Robert 'Flipside' Handy
• Executive-Producer – Dr. Dre, Jeff Bass, Mark Bass
• Mastered By – Brian Gardner
• Other [Aftermath/interscope Project Coordinator] – Kirdis Tucker
• Other [Dr. Dre Operations Director] – Larry Chatman
• Other [Eminem Legal Representation] – Paul D. Rosenberg, Esq.
• Other [Eminem Management] – Paul "Bunyan" Rosenberg
• Other [Fbt Productions Legal] – Howard Hertz
• Other [Fbt Productions Mangement] – Joel Martin
• Other [Interscope A&r Direction] – DJ Mormile, Dean Geistlinger
• Other [Interscope Product Manager] – Michelle Thomas
• Other [Production Coordinator] – Les Scurry
• Other [Web A&r Assistant] – Karen Pinegar
• Other [Web A&r Direction] – Alan Young, Eric Porter, Evan K. Bogart, Wendy Ellen Bass
• Photography By – Christopher McCann, Danielle Hastings
• Written-By – M. Mathers (tracks: 2 to 4, 6, 7, 9, 11, 13 to 15, 17 to 20)

• A&R [Interscope A&R Direction] – D.J. Mormile, Dean Geistlinger
• A&R [Web A&R Assistant] – Karen Pinegar
• A&R [Web A&R Direction] – Alan Young , Eric Porter , Evan K. Bogart, Wendy Ellen Bass
• Art Direction, Design – Mark LeRoy
• Coordinator [Aftermath/interscope Project Coordinator] – Kirdis Tucker
• Coordinator [Production Coordinator] – Les Scurry
• Edited By [Digital], Mastered By [Pre-mastering] – Blumpy
• Engineer – Aaron Lepley, Alan Mason, Blumpy , DJ Daze , Greg Burns, Michael Wilder, Richard "Segal" Huredia, Robert Handy
• Executive-Producer – Dr. Dre, Jeff Bass, Marky Bass
• Illustration – Skam2?, Super Manu
• Legal [Eminem Legal Representation] – Paul D. Rosenberg, Esq.
• Legal [FBT Productions Legal] – Howard Hertz
• Management [Dr. Dre Operations Director] – Larry Chatman
• Management [Eminem Management] – Paul "Bunyan" Rosenberg
• Management [FBT Productions Mangement] – Joel Martin
• Management [Interscope Product Manager] – Michelle Thomas
• Mastered By – Brian "Big Bass" Gardner
• Photography By – Christopher McCann, Danielle Hastings

• A&R [Interscope Records A&R Direction] – D.J. Mormile, Dean Geistlinger
• A&R [Web A&R Assistant] – Karen Pinegar
• A&R [Web A&R Direction] – Alan Young , Eric Porter , Evan K. Bogart, Wendy Ellen Bass
• Art Direction, Design – Mark LeRoy
• Coordinator [Aftermath/interscope Project Coordinator] – Kirdis Tucker
• Coordinator [Director Of Operations For Dr. Dre] – Larry Chatman
• Coordinator [Production Coordinator] – Les Scurry
• Edited By [Digital Editing], Mastered By [Pre-Mastering] – Blumpy
• Engineer – Aaron Lepley, Alan Mason, Blumpy , DJ Daze , Greg Burns, Michael Wilder, Richard "Segal" Huredia, Robert Handy
• Executive-Producer – Dr. Dre, Jeff Bass, Marky
• Illustration – Skam2?, Super Manu
• Legal [Eminem Legal Representation] – Paul D. Rosenberg, Esq.
• Legal [FBT Productions Legal] – Howard Hertz
• Management [Eminem Management] – Paul "Bunyan" Rosenberg
• Management [FBT Productions Management] – Joel Martin
• Mastered By – Brian "Big Bass" Gardner
• Photography By – Christopher McCann, Danielle Hastings
• Product Manager [Interscope Records Product Manager] – Michelle Thomas

• Art Direction, Design – Mark LeRoy
• Edited By [Digital], Mastered By [Pre-mastering] – Blumpy
• Engineer – Aaron Lepley, Alan Mason, Blumpy , DJ Daze , Greg Burns, Michael Wilder, Richard "Segal" Huredia, Robert 'Flipside' Handy
• Executive-Producer – Dr. Dre, Jeff Bass, Marky Bass
• Illustration – Skam2?, Super Manu
• Management – Paul "Bunyan" Rosenberg
• Mastered By – Brian "Big Bass" Gardner
• Other [Aftermath/interscope Project Coordinator] – Kirdis Tucker
• Other [Dr. Dre Operations Director] – Larry Chatman
• Other [Eminem Legal Representation] – Paul D. Rosenberg, Esq.
• Other [Fbt Productions Legal] – Howard Hertz
• Other [Fbt Productions Mangement] – Joel Martin
• Other [Interscope A&r Direction] – DJ Mormile, Dean Geistlinger
• Other [Interscope Product Manager] – Michelle Thomas
• Other [Production Coordinator] – Les Scurry
• Other [Web A&r Assistant] – Karen Pinegar
• Other [Web A&r Direction] – Alan Young, Eric Porter, Evan K. Bogart, Wendy Ellen Bass
• Photography By – Christopher McCann, Danielle Hastings
• Written-By – M. Mathers (tracks: 2 to 4, 6, 7, 9, 11, 13 to 15, 17 to 20)

Notes

Made in the EU.
℗ 1999 Aftermath Ent./Interscope Records.
© 1999 Aftermath Ent./Interscope Records.

Track 2 contains an interpolation from "I Got The" as recorded by Labi Siffre, published by Chrysalis Music.
Track 3 contains an interpolation from "Go Home Pigs" as contained in the film "Getting Straight", published by EMI Music.
Track 18 contains an interpolation from "Pusherman", as recorded by Curtis Mayfield, published by Warner Chappell Music.

Recorded and mixed at:
The Mix Room and Dre's House.

Publishers:

Track 01: no publisher listed
Track 02: Chrysalis Music
Track 03: Eight Mile Style (BMI)/WB Music Publishing/Ain't Nuthin' Goin' On But Fn' (ASCAP)
Track 04: Eight Mile Style (BMI)
Track 05: no publisher listed
Track 06: Eight Mile Style (BMI)
Track 07: Eight Mile Style (BMI)
Track 08: no publisher listed
Track 09: Eight Mile Style (BMI)/WB Music Publishing/Ain't Nuthin' Goin' On But Fn' (ASCAP)/Hard Working Black Folks (ASCAP)
Track 10: no publisher listed
Track 11: Eight Mile Style (BMI)
Track 12: no publisher listed
Track 13: Eight Mile Style (BMI)
Track 14: Eight Mile Style (BMI)
Track 15: Eight Mile Style (BMI)
Track 16: no publisher listed
Track 17: Eight Mile Style (BMI)
Track 18: Eight Mile Style (BMI)/Warner Chappell Music
Track 19: Eight Mile Style (BMI)
Track 20: Eight Mile Style (BMI)

12-page booklet.Track 1: performed by Jeff Bass for FBT Productions & Eminem.

Track 2: published by Chrysalis Music. Contains an interpolation from "I Got The" as recorded by Labi Siffre, published by Chrysalis Music.

Track 3: published by Eight Mile Style (BMI) / WB Music Publishing / Ain't Nuthin' Goin' On But Fn' (ASCAP). Contains an interpolation from "Go Home Pigs", as contained in the film "Getting Straight", published by EMI Music.

Tracks 4, 6, 7, 13, 14, 17, 20: produced for FBT Productions. Published by Eight Mile Style (BMI)

Track 9: published by Eight Mile Style (BMI) / WB Music Publishing / Ain't Nuthin' Goin' On But Fn' (ASCAP) / Hard Working Black Folks (ASCAP).

Tracks 10, 12, 16: performed and background music for FBT Productions

Track 11: produced by Marky & Jeff Bass for FBT Productions & Eminem. Published by Eight Mile Style (BMI).

Track 15: produced for FBT Productions. Published by Eight Mile Style (BMI). Frogg appears courtesy of WEB Entertainment.

Track 18: produced for FBT Productions. Published by Eight Mile Style (BMI) / Warner Chappell Music. Contains an interpolation from "Pusherman", as recorded by Curtis Mayfield, published by Warner Chappell Music.

Track 19: produced for FBT Productions. Introduction vocals and music for FBT Productions. Published by Eight Mile Style (BMI)

Executive producer: Marky & Jeff Bass for FBT Productions and Dr. Dre.

Recorded and mixed at: The Mix Room and Dre's House.

Eminem management for Goliath Artists.
Eminem legal representation for Cutler & Sedlmayr, LLP.

Art direction and design @ True Interactive.

℗ © 1999 Aftermath Ent./Interscope Records. Manufactured and distributed in the United States by Universal Music Video Distribution, Inc.
Printed in the U.S.A.Marketed in Australasia by Universal Music Australia under exclusive licence.
Made in Australia.
Ⓟ&© 1999 Aftermath Entertainment/Interscope Records

Barcodes

• Barcode: 606949028725
• Rights Society (Tracks 3, 4, 6, 7, 9, 11, 13 to 15, 17 to 20): BMI
• Rights Society (Tracks 3, 9): ASCAP
• Matrix / Runout: INT D90 287 04$ BG EDC MADE IN USA BY EDC
• Mastering SID Code: IFPI L009
• Mould SID Code: IFPI 0370

• Barcode (Text): 6 06949 02872 5
• Barcode (String): 606949028725
• Label Code: LC 06406
• Rights Society: BIEM/MCPS
• Other (Distribution Code): UN 540
• Matrix / Runout: 4902872 02 6
• Matrix / Runout (Moulded): MADE IN UK BY PMDC
• Mastering SID Code: IFPI L136
• Mould SID Code: IFPI 0448

• Barcode: 6 06949 02872 5

• Barcode (Text): 6 06949 02872 5
• Barcode (Scanned): 606949028725
• Matrix / Runout: 0124308-IND90287 01 SMEA
• Mastering SID Code: IFPI L681
• Mould SID Code: IFPI 651E

Companies

• Phonographic Copyright (p) – Aftermath Entertainment
• Copyright (c) – Aftermath Entertainment
• Phonographic Copyright (p) – Interscope Records
• Copyright (c) – Interscope Records
• Manufactured By – Universal Music & Video Distribution, Inc.
• Distributed By – Universal Music & Video Distribution, Inc.
• Made By – EDC, USA
• Published By – Chrysalis Music
• Published By – Eight Mile Style
• Published By – WB Music Publishing
• Published By – Ain't Nuthin' Goin' On But Fu-kin'
• Published By – EMI Music
• Produced For – FBT Productions
• Published By – Hard Working Black Folks
• Published By – Warner/Chappell Music
• Recorded At – The Mix Room
• Mixed At – The Mix Room
• Recorded At – Dre's Crib
• Mixed At – Dre's Crib
• Designed At – True Interactive

• Phonographic Copyright (p) – Aftermath Entertainment
• Phonographic Copyright (p) – Interscope Records
• Copyright (c) – Aftermath Entertainment
• Copyright (c) – Interscope Records
• Published By – Chrysalis Songs
• Published By – Eight Mile Style
• Published By – WB Music Publishing
• Published By – Ain't Nuthin' Goin' On But Fu-kin'
• Published By – Hard Workin' Black Folks Publishing
• Published By – Warner/Chappell Music
• Recorded At – The Mix Room
• Mixed At – The Mix Room
• Recorded At – Dre's Crib
• Mixed At – Dre's Crib
• Pressed By – PMDC, UK

• Phonographic Copyright (p) – Aftermath Entertainment
• Phonographic Copyright (p) – Interscope Records
• Copyright (c) – Aftermath Entertainment
• Copyright (c) – Interscope Records
• Marketed By – Universal Music Australia
• Licensed To – Universal Music Australia
• Pressed By – SMEA – 0124308

• Manufactured By – Universal Music & Video Distribution, Inc.
• Distributed By – Universal Music & Video Distribution, Inc.
• Phonographic Copyright (p) – Interscope Records
• Copyright (c) – Interscope Records
• Recorded At – The Mix Room
• Mixed At – The Mix Room
• Recorded At – Dre's Crib
• Mixed At – Dre's Crib
• Phonographic Copyright (p) – Aftermath Entertainment
• Copyright (c) – Aftermath Entertainment

Video

Album

The album was produced by Dr. The Slim Shady LP Tracklist. If you're after an explicitly personal song, then you'll want If I Had, whereas the humourous side can be found on As The World Turns, but Brain Damage has both sides of the story within it. Dre, the Bass Brothers, and Eminem himself. Recorded in Ferndale, Michigan, following Eminem's recruitment by Dr. The Slim Shady LP. Relapse: Refill. Recorded in Ferndale, Michigan, following Eminem's recruitment by Dr. Текст песни: May I have your attention please May I have your attention please Will the real slim shady please stand up I repeat, will the real slim shady please stand up. The Slim Shady LP is the second and first major label studio album by American hip-hop artist Eminem. Dre and Jimmy Iovine, the album features production from Dr. The lyrics are noted for their over-the-top de. As an EP this album would've been 55 not as it was on The Slim Shady EP tho, that one was about as good as this one but there's some filler here and there especially Cum On Everybody. The Slim Shady LP 2 Eminem Album. Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Eminems breakthrough into the mainstream. Album 1999 30 Songs. Eminem, Dr. Desensitized September 3rd 2005. This was unsettling in 1999, when nobody knew his back-story, and years later, when his personal turmoil is public knowledge, it still can be unsettling, because his words and delivery are that powerful. It did very well critically and commercially and is considered a classic by most. Dre, The Bass Brothers, Mel-Man and Eminem himself and was recorded during 1997 and 1998 at Studio 8 in Ferndale, Michigan. Eminem, Jeff Bass & Mark Bass. The majority of the lyrical content on the album is written in the prospective of the rapper's alter ego Slim Shady and is noted for its over-the-top. Current track: Eminem Slim Shady Freestyle 1998 Wake Up Show Sway and Tech Am RadioEminem Slim Shady Freestyle 1998 Wake Up Show Sway and Tech Am Radio. Eminem - I'm Shady. Fan made using Eminem songs from 1997-1999 during his Slim Shady era. Its alienation finding an outlet: These tracks are cartoons sketched in the margins of life's homework assignment. The Slim Shady LP is the second studio album and the major-label debut by American rapper Eminem, released on February 23, 1999 by Aftermath Entertainment and Interscope Records. Формируйте собственную коллекцию записей Slim Shady LP is the second and first major label studio album by American hip-hop artist Eminem. It was pretty much all or nothing for him at this point, and the huge success of the album, lead by the single My Name Is , catapulted his career forward. Dre, Royce Da 5'9. Eminem - Slim Shady LP is the second and first major label studio album by American hip-hop artist Eminem. Dre's Aftermath Entertainment. The album is noted for its cartoonish and overly violent lyrics as well as its sharp lyricism. Released February 22, 1999. The Slim Shady LP is his first album with a major label after his first album Infinite was released on an independent label in 1996. The Slim Shady LP bristles with this tension, since it's never always clear when Marshall Mathers is joking and when he's dead serious. Dina Rae, Obie Trice, Nate Dogg. It was released on February 23, 1999 under Web Records and Dr. play album. The majority of the record's lyrical content is written from the perspective of the rapper's alter ego Slim Shady, whom the rapper created on The Slim Shady EP 1997. It was released on February 23, 1999 under Interscope Records subsidiary Aftermath Entertainment. Recommended Download - I'd say Brain Damage represents the album best. The majority of the record's lyrical content is written from the perspective of the rapper's alter ego Slim Shady, whom the rapper created on The Slim Shady EP 1997. The Slim Shady LP is the second studio album by American rapper Eminem and his major label debut. Eminem, Eminem Released: February 23rd, 1999 AftermathShadyInterscope Records. 1:14: Slim Shady LP - Eminem. The majority of the lyrical content on the album is written in the prospective of the rapper's alter ego Slim Shady and is noted for its over-the-top. Public Service Announcement Skit Ft. With beats by the Bass Brothers and mentor Dr. The Slim Shady LP - Eminem. About The Slim Shady LP. Eminem, Eminem Released: February 23rd, 1999 AftermathShadyInterscope Slim Shady LP. The Eminem Show. But The Slim Shady LP remains a great debut, a singpost of what was to come, and a highly recommended addition to any rap fan's collection. Comic narratives like Guilty Conscience and My Fault have an underlying bleak realism leavened by Eminem's dynamic, l. Dre's Aftermath Entertainment. Dre, the collection is laced with biting humor that reveals a dark edge. Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Eminem - Slim Shady LP. It is an expanded and more polished update to 1997s The Slim Shady EP