If, Bwana with/and/by Trio Scordatura - E (And Sometimes Why) FLAC

Tracklist
| 1 | Ringing (Ano)the(r) Bell | 15:26 |
| 2 | E. (And Sometimes Why) | 14:58 |
| 3 | Cicada 4AA | 8:07 |
| 4 | Diapson, MaybeTrombone [Trombone Drones] – Monique Buzzarté | 25:55 |
| 5 | The Tempest, FuggitVoice – Lisa Barnard KelleyVoice [Speaker] – Michael Peters | 20:12 |
| 6 | All For Al(frun) | 14:35 |
| 7 | Gilmore's GirlsKeyboards – Al MargolisTrombone – Monique BuzzartéVoice – Lisa Barnard Kelley | 8:54 |
Credits
- Design – Matt Schickele
- Keyboards, Computer [Laptop] – Bob Gilmore
- Mixed By, Mastered By – Tom Hamilton
- Performer – Al Margolis
- Viola D'amore – Elisabeth Smalt
- Voice – Alfrun Schmid
Notes
"Trio Scordatura (who I am very grateful to for all their work and support) are, in some way, shape, and form on every piece on this double CD. They did not necessarily perform every piece here though. Some of the works here have been drawn from their recordings and assembled. Some they did in fact record in the studio. And on one piece they supplied sounds that were then incorporated into the piece (The Tempest, Fuggit). So there may not be a better way to describe their involvement with this recording: they played with If, Bwana and they played If, Bwana and they were played with and by If, Bwana...."
Recorded at Robert Bosch Geluid, Amsterdam, June 2010 and Chester, NY.
Packaged in gatefold card sleeve.
Barcodes
- Barcode: 7 60342 10622
- Rights Society: BMI
Companies
- Recorded At – Robert Bosch Geluid
Album
E and Sometimes Why. Your Rating. Overview . CD - Pogus Productions 210622. Gilmore's Girls. If, Bwana. If, Bwana, Trio Scordatura. E and sometimes why. Provided to YouTube by The Orchard Enterprises E And Sometimes Why Trio Scordatura Al Margolis Trio Scordatura If, Bwana E And Sometimes Why. If, Bwana withandby Trio Scordatura - E And Sometimes Why 2xCD, Album. Pogus Productions. The collection of information, and combination with previously collected information, to select and deliver content for you, and to measure the delivery and effectiveness of such content. This includes using previously collected information about your interests to select content, processing data about what content was shown, how often or how long it was shown, when and where it was shown, and whether the you took any action related to the content, including for example clicking on content. E and sometimes why and All for Alfrun were both composed after the initial recordings and used materials from those sessions. The Tempest, Fuggit, used some of Trio Scordatura's sounds and combined them with an absolutely awesome, over-the-top performancereading of a section of Shakespeare's The Tempest by Michael Peters of Poemrocket. We hope that answers the burning question 'Why If, Bwana withandby Trio Scordatura' There may not be a better way to describe their involvement with this recording they played with If, Bwana and they played If, Bwana and they we. Album 2010 5 Songs. Learn More. 5 Songs, 52 Minutes. Age Trio Scordatura. Stream Tracks and Playlists from Trio Scordatura on your desktop or mobile device. Let your audience know what to hear first. Learn more about Pro. Trio Scordatura. Amsterdam, Netherlands. from the If, BwanaTrio Scordatura album E and sometimes why, Pogus. E and sometimes, why If, Bwana withandby Trio Scordatura 2012, Pogus 21062-2. 16 LIVECICADA 3 If, Bwana 2011, Bastet's Kitten BK001. Age If, Bwana 2010, Mutable Music 17540-2. Keep Going: The Music of Elias Tanenbaum Ensemble π on A Bubble in My Eye 2010, Ravello Records RAEL 7807. Fluctuations with Ellen Fullman 2007, Deep Listening 38. Noah Creshevsky: To Know and Not to Know 2007, Tzadik 8036. This article on a United States composer born in the 20th century is a stub. This article about an American classical musician is a stub. If Bwana's double-disc E And Sometimes Why Pogus, 2012 features mostly droning pieces composed by Margolis for the Dutch string trio Scordatura, experts in microtonal music. There is no narrative in Gilmore's Girls, just a gentle chaos of tones surrounding the languid emotion-less humming of the girls as if staring at a picture of the girls in hallucinating sunshine. The diversity of sonic events in this piece one of Margulis' most sophisticated compositions contrasts with the monolithic drone-based architecture of E And Sometimes Why, to which a multitude of instruments






















