Jacob Kirkegaard - Labyrinthitis FLAC

Tracklist
| 1 | Labyrinthitis | 38:10 |
Credits
- Cover – Jon Wozencroft
- Liner Notes – Anthony Moore, Douglas Kahn, Sarah Kirkegaard
- Photography By – Jacob Kirkegaard
Notes
Packaged in oversized card wallet.
Special wallet limited edition.
℗ & © 2008 Touch
Barcodes
- Barcode: 5 027803 903524
- Label Code: LC13014
Companies
- Phonographic Copyright (p) – Touch
- Copyright (c) – Touch
- Published By – Touch Music
Video
Album
Perhaps the most compelling thing about Labyrinthitis is also the most distressing - the disorienting sense of hearing the ear-piercing whines that one's own ears create, only amplified, layered and shaped into a series of tracks across the disc, without anything additional beyond that. The result is very intentionally disconcerting, and more than almost any other piece of music in recent years literally calls into question what one hears - is it yourself, the speaker, something else . Watch the video for Labyrinthitis from Jacob Kirkegaard's Labyrinthitis for free, and see the artwork, lyrics and similar artists. Jacob Kirkegaard born 1975, Denmark - living in Berlin, Germany is a sound artist with an interest in the scientific and aesthetic aspects of resonance, time and hearing. Jacob Kirkegaard. 4 Rooms. 01 Jacob Kirkegaard - Labyrinthitis - Продолжительность: 38:12. Belong - October 2008 1 Song. Labyrinthitis - Single. Electronic , 2008. Jacob Kirkegaard is a sound artist born in 1975 in Denmark. In early 2006 he graduated at the Academy of Arts and the Media in Cologne, Germany. Jacob is exploring sound in art with a scientific approach. Jacob Kirkegaard's sound works focus on investigations into the potential musicality in hidden sound layers in the environment. In this context he has been capturing and exploring sounds from, for example, volcanic earth, ice, atmospheric phenomena, nuclear power plants and deserted places. His piece. 9 tracks9. Follow Jacob Kirkegaard and others on SoundCloud. Through his groundbreaking work Labyrinthitis, Jacob Kirkegaard may be the first artist to exploit the ears as musical instruments. Time seems to work differently when listening to the album, as the close-frequency waves in microtonal intervals beat against each other between your ears. Just as the condition from which the album takes its title, listening to this work is a disorienting experience. Labyrinthitis is an inflammation of the inner ear that causes balance problems, and possibly temporary tinnitus. Kirkegaards Labyrinthitis is as much a laboratory experiment as an album in the traditional sense that most of us experience it. Its intentions are not so much a conscious disruption, but an unconscious tweaking. Its aims, though produced through an abstract medium, are not towards alienation from the body, but communion with sound. Kirkegaard not only recorded the sound of his own ears hearing, but used a tone frequency formula which has been found to generate new tones completely secondary to the sounds being heard. His works reveal unheard sonic phenomena and present listening as a means of experiencing the world




















