Kikumoto Allstars - House Music FLAC

Tracklist
| 1 | Still Can't Stop The House |
| 2 | Shed 13 |
| 3 | I'll Make You Jack |
| 4 | Last Train To Chi-Town |
| 5 | Sagittarius |
| 6 | Everybody |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| Gigolo 252 | Kikumoto Allstars | House Music (CD, Album, Promo) | International Deejay Gigolo Records | Gigolo 252 | 2009 | |
| Gigolo 252 | Kikumoto Allstars | House Music (CD, Album) | International Deejay Gigolo Records | Gigolo 252 | Germany | 2009 |
Credits
- Composed By – Kikumoto Allstars
- Cover [Cover Illustration] – Wiyumi
- Design [Graphic Design], Illustration – Slang International
- Mastered By – Kelly Hibbert
- Vocals – Fi B Haven (tracks: B2)
- Written-By – C. Farrar (tracks: B2), L. Thompson (tracks: B2), R. Lenoir (tracks: B2)
- Written-By, Producer, Mixed By – Cam Farrar
Notes
Album dedicated to the pioneers of modern dance music, the original house masters, Chi Town 1985: Marshall Jefferson, Larry Heard, Adonis, DJ Pierre, Bam Bam, Mike Dunn, Farley Jackmaster Funk and Armando (RIP).
Many thanks to Fiona O'Connell, Maxi, Hell and everyone at Gigolo.
Special thanks to Tadao Kikumoto and his disciples for the XOX machines.
(p) 2009 · ©2009 Gigolo Records
Barcodes
- Barcode: 5 414165 027997
- Matrix / Runout (Side A): 83791 1A GIGOLO 252LP
- Matrix / Runout (Side B): 83791 1A GIGOLO 252LP
- Matrix / Runout (Side C): 83791 1A GIGOLO 252LP
- Matrix / Runout (Side D): 83791 1A GIGOLO 252LP
- Label Code: LC 10195
Companies
- Phonographic Copyright (p) – International Deejay Gigolo Records
- Copyright (c) – International Deejay Gigolo Records
- Recorded At – The Mews Recording Studios
- Distributed By – News Distribution
- Mixed At – The Mews Recording Studios
- Published By – Copyright Control
- Mastered At – Elysian Masters
- Pressed By – Record Industry – 83791
Video
Album
Stylistic revivalism in electronic dance music can be a tricky and somewhat nebulous concept. For music that's so emphatically about the immediate present moment, electronica has always had a strong sense of its own history on the other hand, it tends to place so much emphasis on forward progression even if the nuances of the actual musical development are frequently imperceptible to the uninitiated that there's little time or tolerance for overt backwards-gazing. Album 2009 13 Songs. Kikumoto Allstars is Australia's Cam Farrar holding a candle to the original house music, producing with all analogue synthesizers and drum machines including the famous Roland range TR-909, TR-808, TR-707, SH-101, Juno range, JX-8P and of course the TB-303 which started the acid house revolution, paying homage to Tadao Kikumoto, the brains behind. these now legendary machines. Cam Farrar was first drawn to electronic music when he saw Devo on Australian television in the early 1980s. House Music, 2009. Kikumoto Allstars. Jack the House, 05:56. Shed, 07:29. House Music, 05:25. Prince When Doves Cry. Radio Caprice - Pop music 80's. Dido Thank You. Рублёвка United. Acid OneKikumoto Allstars Bring It Up Acapella. Acid One. House Music. Kikumoto Allstars15 June 2009. DanceElectronic 2009 International DeeJay Gigolo Records. Listen to this album and millions more. First month free. Intentionally retro, Kikumoto Allstars music is informed by todays dance with innovative arrangements and twisted, peaking crescendos. The Kikumoto Allstars remind us that acid house music is back and bigger than ever UpcomingCD 2009 - EU New. Release Date. Critic Score. Kikumoto Allstars Format: Audio CD. 0 out of 5 stars 1 rating. Please retry. DJ HELL's INTERNATIONAL DEEJAY GIGOLO imprint brings the debut album release from Melbourne's KIKUMOTO ALLSTARS AKA CAM FARRAR, 'House Music'. This is pure party music in the spirit of the original Chicago Acid House of MARSHALL JEFFERSON, LARRY HEARD and ADONIS but and with the intensity of modern dance. Track Listings. Disc: 1. Kikumoto Allstars House Music Review. Released 2009. Farrar is clearly a gifted producer, and certain sections of House Music are well worth hearing. It's only when he makes the mistake of straying too close to the early house classics from which he draws inspiration that his own work suffers by comparison. This work is licensed under a Creative Commons Licence























