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Lana Del Rey - Ultraviolence FLAC
Performer:
Lana Del Rey
Album:
Ultraviolence
Style:
Ballad, Indie Pop
Released:
18 Jun 2014
Country:
South Korea
Label:
Polydor, Interscope Records
Catalog:
DG31080, 378575-4
FLAC size:
2632 mb
MP3 size:
1261 mb
WMA size:
1092 mb


Tracklist


1Sad Girl5:17
2Old Money4:29
3Money Power Glory4:28
4Shades Of Cool5:40
5Pretty When You Cry3:52
6Guns And Roses4:29
7Florida Kilos4:14
8West Coast4:15
9Ultraviolence4:09
10 My Way Up To The Top3:30
11Brooklyn Baby5:49
12The Other Woman2:58
13Cruel World6:38
14Black Beauty5:13


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
B0020991-02Lana Del Rey Ultraviolence ‎(CD, Album, Dlx)Polydor, Interscope RecordsB0020991-02US2014
noneLana Del Rey Ultraviolence ‎(CDr, Album, Promo)Interscope Records, Polydor, Universal Music FrancenoneFrance2014
B0020962-02Lana Del Rey Ultraviolence ‎(CD, Album, Dlx, Tar)Polydor, Interscope RecordsB0020962-02US2014
3786541Lana Del Rey Ultraviolence ‎(CD, Album)Polydor, Interscope Records3786541Europe2014
3788049Lana Del Rey Ultraviolence ‎(CD, Album, Dlx, Ltd)Vertigo3788049Germany, Austria, & Switzerland2014


Notes


Registered No. 776, The Ministry of Culture & Tourism. Manufactured and printed in Korea.

Packaging: Gatefold digisleeve.


Barcodes


  • Barcode: 8808678259872


Companies


  • Phonographic Copyright (p) – Lana Del Rey
  • Copyright (c) – Lana Del Rey
  • Manufactured By – Universal Music


Video



Album


Ultraviolence is the third studio album by American singer and songwriter Lana Del Rey, released on June 13, 2014 by UMG Recordings. Despite originally dismissing the possibility of releasing another record after her major-label debut Born to Die 2012, Del Rey began planning its follow-up in 2013. Production continued into 2014, at which time she heavily collaborated with Dan Auerbach to revamp what she initially considered to be the completed record. The project saw additional contributions from. Ultraviolence - Lana Del Rey. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Ultraviolence is the third studio album and second major-label studio album by Lana Del Rey. It was officially released on June 13, 2014, by Universal Music Group. After having commercial success with her first major-label album, Born to Die, Del Rey re-released it accompanied by a standalone EP, Paradise, in late 2012. Del Rey presumably began working on her second studio effort around this time. She was photographed in a recording studio on January 27, 2013 in Los Angeles, California. She stated. Lana Del Rey. Lana Del Rey, Daniel Law Heath. 2012s Born to Die, Del Reys major-label debut, is a woozy collection of siren songs that mimics Peggy Lees gauzy romanticism by way of Mazzy Star. Two years later, Del Rey is still a sad tomato. Ultraviolence is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams. Ultraviolence is Lana Del Reys second studio album following her highly publicized debut with Born To Die. A notable departure from her orchestral and hip-hop debut, the album features prominent string based instrumentations. Lyrically, the album is more of a concept creation rather than a narrative and see Lana addressing topics ranging from break-ups, vanity and even California. Lana has said that the album had to undergo a complete rework after she met producer Dan Auerbach, who convinced her to change production. The album went on debut at 1 on the Billboard 200 albums chart and is still. Album 2014 15 Songs. Musing on dark themes-the corruption of power, money, and, of course, violence-Del Rey offers a hypnotic set of darkly tempered songs. Текст песни: He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and Del Rey reinvents herself on the nightmarishly beautiful dose of musical Ambien swallowed with a swig of whiskey otherwise known as Ultraviolence. Ultraviolence is a concept album of sorts - a collection of faded, yellowed postcards mostly from the City of Angels that introduce us to a cast of desperate women. There are femme fatales and game dames, victims and predators, and even an aging socialite reflecting on her life. What brings them together, and makes the album cohesive and compulsively listenable, is the fact that theyre all on the road to oblivion. Some know it, some dont. But the impending sense of doom pervades each and every song. Lana Del Rey, the creation of singer and songwriter Lizzy Grant, is all alone. Shes an utterly distinctive figure in popular music-not part of a scene, with no serious imitators-and befitting someone completely off on her own, shes lonely. But here shes found the perfect musical vehicle for her vision. Ultraviolence sounds tragic and beautiful-darkly-shaded ballads are what she was created to make, and this album is nothing but, a Concept Album from a Concept Human. The first section of the album is so gorgeous and rich, Ultraviolence at first seems better than it is