Tracklist
| 1 | Cruel Heart | 3:19 |
| 2 | Tell Me Now Tennessee | 3:16 |
| 3 | High Is Better | 3:26 |
| 4 | The State I'm In | 3:20 |
| 5 | What's Behind Me | 3:08 |
| 6 | Chicago | 3:40 |
| 7 | Mountain | 2:40 |
| 8 | The Promise Break | 2:56 |
| 9 | Doing It Wrong | 2:50 |
| 10 | Spider And The Moth | 3:51 |
| 11 | Somebody's Yesterday | 3:02 |
| 12 | Dreaming Out Loud | 3:39 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| none | Leigh Nash | The State I'm In (CD, Album) | Thirty Tigers | none | US | 2015 |
Credits
- Acoustic Guitar – Jeremy Fetzer (tracks: 1)
- Backing Vocals – Ashley Wilcoxson (tracks: 12), Leisa Hans (tracks: 12), Rayland Baxter (tracks: 8)
- Baritone Saxophone, Tenor Saxophone, Trombone, Flugelhorn, Trumpet – John Mark Painter
- Design, Art Direction – Sarah H. Parker-Masse
- Drums, Percussion – Jon Radford
- Electric Bass, Double Bass [Upright Bass], Cello, Organ, Charango, Pedal Steel Guitar – John Estes
- Electric Guitar – Jeremy Fetzer (tracks: 12)
- Electric Guitar, Acoustic Guitar, Guitar [Nylon String], Baritone Guitar, Twelve-String Guitar – Stanton Edward
- Engineer [Assistant] – Christian Rigdon
- Fiddle – Lillie Mae Rische
- Lead Vocals, Backing Vocals, Written-By – Leigh Nash
- Management – Ashley Wilcoxson
- Mastered By – Jim DeMain
- Mastered By [Assisted By] – Amy Marie
- Mixed By – Mark Nevers
- Pedal Steel Guitar – Pete Finney
- Photography By – Alysse Gafkjen
- Piano, Organ [Farfisa], Electric Piano [Wurlitzer], Accordion – Micah Hulscher
- Producer, Engineer – Brendan Benson
- Violin – Elizabeth Estes, Kristin Weber
- Voice [Male Voices] – Street Corner Symphony (tracks: 2, 10)
- Written By – Jesse Hall (tracks: 1 to 5, 8)
- Written-By – Brendan Benson (tracks: 12), Emily West (tracks: 3), Gerry House (tracks: 6, 7), Stephen Wilson (tracks: 3, 5, 9 to 11)
Barcodes
- Rights Society: SESAC
- Rights Society: BMI
- Rights Society: ASCAP
Companies
- Copyright (c) – One Son Records
- Phonographic Copyright (p) – One Son Records
- Mastered At – Yes Master
- Published By – BMG Silver Songs
- Published By – Woman Hollering
- Published By – Elephants Gerald Music
- Published By – Donny Rogue Music
- Published By – Jesse Hall
- Published By – Wills And Holls Music
- Published By – Chrysalis Music
- Published By – Gladsad Music
Album
The State I'm In is the first country music studio album from Leigh Nash. She released the project on September 18, 2015. Nash worked with producer Brendan Benson, in the production of this album. Nash worked with producer Brendan Benson, in the creation of this album. The album has a traditional country feel, and Nash cited country artists such as Willie Nelson, Patsy Cline and Jim Reeves as influences. The album a recurring theme of being homesick. A single, Somebody's Yesterday, co-written with. Album 2015 12 Songs. The State I'm In Leigh Nash. by Leigh Nash. Spider and the The State I'm In, a playlist by Leigh Nash from desktop or your mobile device. Album release date: 18 September 2015. Spider and the Moth. The State I'm In title track from Leigh Nash's album, The State I'm State I'm In touches on some of the events that have happened in Nash's life since her last release 2011's Hymns and Sacred Songs, including divorce, a death in the family and the amicable break-up of the band. I've done a lot of living between projects. So much has happened since then. I haven't led a completely peaceful life - not many people do. There is a recurring theme on this album of being homesick, she said. I'm always missing Texas and feeling torn between the home I came from and the one I've built in Tennessee. So in that way, 'The State I'm In' seemed like an appropriate title track. It covers a lot of ground. Listen free to Leigh Nash The State I'm In Spider and the Moth, Cruel Heart and more. 12 tracks 38:56. A single, Somebody's Yesterday, co-written with Gerry House, was released from the album. 2016 сингл feat. Leigh Nash. According to 07102015, Leigh said: Im from South Texas in the hill country, south of Austin, The music I heard growing up has stayed with me in a way that no other