Les Witches - Nobody's Jig (Mr Playford English Dancing Master) FLAC
Tracklist
| 1 | Sheperd's Holiday | 2:04 |
| 2 | Nobody's Jig, Mr Lane's Maggott | 5:49 |
| 3 | Rights Of A Man | 3:37 |
| 4 | Stanes Morris | 1:05 |
| 5 | Confess His Tune | 1:21 |
| 6 | A Piece Without Title | 3:32 |
| 7 | Virgin Queen, Bobbing Joe | 3:53 |
| 8 | Prince Rupert March, Masco | 3:11 |
| 9 | Paul's Steeple | 3:17 |
| 10 | A Division On A Ground | 6:15 |
| 11 | Woodycock | 5:31 |
| 12 | A Mask No. 6 | 4:33 |
| 13 | Stingo | 2:56 |
| 14 | Bravade, Argiers | 3:46 |
| 15 | Wallom Green | 2:13 |
| 16 | Daphne | 4:54 |
| 17 | Hey To The Camp, Schottisch Tanz | 3:37 |
| 18 | Drive The Cold Winter Away, The Beggar Boy | 5:37 |
| 19 | A Health To Betty | 2:31 |
| 20 | An Italian Rant | 2:19 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| Alpha 909 | Les Witches | Nobody's Jig (Mr Playford English Dancing Master) (CD, Album, RE) | Alpha Productions | Alpha 909 | France | 2008 |
| Alpha 307 | Les Witches | Nobody's Jig - 17th-Century Dances From The British Isles (CD, Album, RE) | Alpha Classics | Alpha 307 | France | 2015 |
Credits
- Art Direction – Pascal Dubreuil
- Edited By, Recorded By – Hugues Deschaux
- Ensemble – Les Witches
- Flute, Liner Notes – Claire Michon
- Harpsichord, Cittern – Freddy Eichelberger
- Liner Notes – Nancy Huston
- Liner Notes [Translated By] – Mary Pardoe
- Lute, Guitar – Pascale Boquet
- Photography By – Robin Davies
- Viol – Sylvie Moquet
- Violin – Odile Edouard
Notes
Recorded in 2001.
Booklet in french and english.
www.alpha-prod.com
Barcodes
- Barcode: 3 760014 195020
Companies
- Recorded At – Church Saint Rémi, Sérigny
Album
Nobody's Jig: Mr Playford's English Dancing Master - Les Witches. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Album 2002 20 Songs. Nobody's Jig, Mr. Lane's Maggott, Black and Grey. Review by Uncle Dave Lewis. Alpha Productions' Nobody's Jig: Mr. Playford's English Dancing Master appears to be the debut outing on disc by a French period instrument ensemble under the great name of Les Witches. This collection is made up of late seventeenth and early eighteenth century dances initially published in John Playford's English Dancing Master and related sources. Nobody's Jig: Mr. Playford's English Dancing Master. Play album. Get album. Add artworkView all artwork. Nobody's Jig, Mr Lane's Maggott. Artist images. 1 more. Les Witches. 2,583 listeners. Nobody's Jig. 0 out of 5 stars 1. Audio CD. Sample this album Artist Sample. This is a revelation - subtitled Mr Playford's English Dancing Master- a group of early English dances mostly from the 16th and 17th Centuries, some clearly Celtic in origin, others distinctly English, beautifully adapted and performed by a gifted group of French musicians,featuring violin, flute, luteguitar, viola da gamba, and the clavichord. Excellent notes in English and French. The introduction carries an earlier recommendation This day I bought the book of country-dances against my wife's woman Gosnell comes, who dances finely. Nobody's Jig, Mr Lâne's Maggott, Black and Grey, 05:48. Daphne, 04:54. Wallom Green, 02:10. Nobody's Jig, Mr Playford's English Dancing Master. Nobody's Jig, Mr Lane's Maggott, Black and Grey. Get the Tempo of the tracks from Nobody's Jig: Mr Playford's English Dancing Master 2002 by Les Witches. This album has an average beat per minute of 119 BPM slowestfastest tempos: 81147 BPM. Album starts at 139BPM, ends at 116BPM -23, with tempos within the 81-147BPM range. Try refreshing the page if dots are missing. Tracklist Nobody's Jig: Mr Playford's English Dancing Master. Nobody's Jig, Les Witches 2002 debut album, takes the listener into the world of the Court and the taverns of a time closer to that of Shakespeare than our own. Featuring a Broken Consort of musicians who negotiate authentic stylistic performance traditions with contemporary practices, the resulting music lies balanced between improvisational and classical conventions. exciting musicianship. committed performances
