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Loren Stillman Quartet - How Sweet It Is FLAC

Loren Stillman Quartet - How Sweet It Is FLAC
Performer:
Loren Stillman Quartet
Album:
How Sweet It Is
Style:
Contemporary Jazz, Post Bop
Released:
2003
Country:
Germany
Label:
Nagel Heyer Records
Catalog:
nagel heyer 2031
FLAC size:
1749 mb
MP3 size:
1859 mb
WMA size:
2758 mb


Tracklist


1Chasing The White Rabbit9:02
2How Sweet It Is3:24
3Happy6:32
4Chicken7:05
5Meat5:42
6Darling Clementine6:22
7Meat Snake9:15
8Between The Devil And God8:09


Credits


  • Alto Saxophone, Composed By, Photography By [Booklet Photos]Loren Stillman
  • BassScott Lee
  • CoverWœllergestaltung, Hamburg
  • DrumsJeff Hirshfield
  • EngineerMichael Brorby
  • Mastered ByBernd Schultze
  • Mastered By [Digital Mastering]Sonopress, Gütersloh
  • Mixed ByPaul Wickliffe
  • Photography By [Cover Photograph]Michael Furjanic
  • PianoRuss Lossing
  • Producer, Liner NotesFrank Nagel-Heyer


Notes


Recorded on May 15, 2001 (Acoustic Sound) and Jan. 27, 2002 (Skyline Productions)
Mixed Jan 27, 2002
Mastered Feb. 10-11, 2002


Barcodes


  • Barcode: 645347203129
  • Barcode (Text): 6 45347 20312 9
  • Label Code: LC 10356
  • SPARS Code: DDD
  • Rights Society: GEMA


Companies


  • Recorded At – Acoustic Recording
  • Recorded At – Skyline Productions
  • Mixed At – Skyline Productions
  • Mastered At – Blue Noise Studio


Album


How Sweet It Is - Loren Stillman, Jeff Hirshfield, Russ Lossing, Scott Lee. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Listen free to Loren Stillman Quartet How Sweet It Is Between The Devil And God, Happy and more. 8 tracks 55:29. He and his quartet react quickly to each other, playing both inside and outside of the chord changes. Stillman contributed all eight songs and his music is fresh and original, swinging but never predictable. The other musicians notably pianist Russ Lossing are excellent, but this well-paced set is largely Stillman's show, and a very impressive debut. Home JT Archives Loren Stillman Quartet: How Sweet it Is. Loren Stillman Quartet: How Sweet it Is. Updated April 25, 2019 By Owen Cordle. Alto saxophonist Stillman, in his early 20s, is quite a discovery and destined for a bright future in jazz. The album recalls the atmosphere of Manfred Eichers impressionistic ECM label productions, although with more warmth. Stillman penned all the tunes theyre the kind of songs that in performance inspire rhythmic elasticity of the Keith Jarrett, Paul Bley and Herbie Hancock type. They have titles such as Between the Devil and God, Happy, Meat and Meat Snake. How Sweet It Is is a post bop music album recording by LOREN STILLMAN released in 2003 on CD, LPVinyl andor cassette. 1 Between the Devil And God 8:09 2 Happy 6:32 3 Meat 5:42 4 Chicken 7:05 5 How Sweet It Is 3:24 6 Meat Snake 9:15 7 Darling Clementine 6:22 8 Chasing the White Rabbit 9:02. About this release. nagel heyer records. Thanks to snobb for the addition. Add album to Cart. Between The Devil And God. How to. Top Songs By Loren Stillman. Loren Stillman Quartet. Don't Be Too Nice. How Sweet It Is. Stillman, Loren Quartet Artist Format: Audio CD. On this album Stillman shows a unique sense of melody with a refined tone like Paul Desmond or Stan Getz at the same time having a sophisticated harmonic knowledge equivalent to a Greg Osby and fluidity on the horn like Lee Konitz, one of his main influences. The compositions are highly original and each has it's own character. Songs in album How Sweet It Is 2009. Donna Gardier - How Sweet It Is US Single Version. How Sweet It Is is one such effort. It is one of those rare releases that draws one in willingly without demanding anything, yet is so seductive and powerful that time seemingly stops for its duration. From the opening cymbal work that leads to the deep theme in Between the Devil and God played in unison by piano and sax, this music announces that it is anything but typical. Stillman has that special gift of melody, whereby even a theme that is rolled out slowly seems to have an innate logic which makes it almost instantaneously memorable. In Russ Lossing, Stillman has