Mahler, Chicago Symphony, Solti - Symphony N° 2 FLAC

Tracklist
| 1 | Im Tempo Des Scherzo (To Fig. 29) | |
| 2 | Allegro Maestoso | 20:37 |
| 3 | In Ruhig Fliessender Bewegung | 10:25 |
| 4 | Andante Moderato | 11:11 |
| 5 | Im Tempo Des Scherzo (Conclusion) | 16:12 |
| 6 | Urlicht, Sehr Feierlich, Aber Schlicht | 22:23 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| D229D 2 | Mahler, Chicago Symphony, Solti | Mahler, Chicago Symphony, Solti - Symphony N° 2 (2xLP + Box) | Decca | D229D 2 | Netherlands | 1980 |
| 410 202-2 | Gustav Mahler, Chicago Symphony, Georg Solti, Isobel Buchanan, Mira Zakai, Chicago Symphony Chorus | Gustav Mahler, Chicago Symphony, Georg Solti, Isobel Buchanan, Mira Zakai, Chicago Symphony Chorus - Symphony N° 2 "Resurrection" (2xCD, Album) | London Records | 410 202-2 | US | 1983 |
| 6.35540 FA | Mahler, Chicago Symphony, Solti | Mahler, Chicago Symphony, Solti - Symphony N° 2 (2xLP + Box, DMM) | Decca | 6.35540 FA | Germany | 1981 |
| 410 202-2 | Mahler, Chicago Symphony, Solti | Mahler, Chicago Symphony, Solti - Symphony N° 2 (2xCD) | Decca | 410 202-2 | UK & Europe | 1983 |
| D229D 2, 67 99 088/02 | Mahler, Chicago Symphony, Solti | Mahler, Chicago Symphony, Solti - Symphony N° 2 (2xLP + Box) | Decca, Decca | D229D 2, 67 99 088/02 | Spain | 1982 |
Credits
- Artwork By [Booklet Illustration] – Alan Eastaugh
- Composed By – Gustav Mahler
- Conductor – Georg Solti
- Contralto Vocals – Mira Zakai
- Design [Booklet] – Nick Findell
- Engineer – James Lock , John Dunkerley
- Orchestra – The Chicago Symphony Orchestra
- Photography [Solti] – Richard Holt
- Producer – James Mallinson
- Soprano Vocals – Isobel Buchanan
Notes
Recorded at Medinah Temple, Chicago.
Made in USA, Mastered by Decca Recording Studios.
On Side 3, two tracks. First track(C1) with duration, Second track(C2) without duration because track C2 is first part (to fig. 29) of track D. Track C2 + Track D = 16:12 (see pictures)
Rodgers Heritage 990 Organ was used for this recording
Includes a double-sided booklet with 6 total pages. Also includes double-sided insert with essay "Digital Techniques and the Phonograph Record" by R.W. Bayliff.
Album
Symphony No. 2 by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler's most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of afterlife and resurrection. In this large work, the composer further developed the creativity of sound of the distance and creating a world of its own, aspects already seen in his First Symphony. Sir Georg Solti, Isobel Buchanan, Mira Zakai, Chicago Symphony Chorus, Chicago Symphony Orchestra. UMG от лица компании Decca Music Group Ltd. Recorded at Medinah Temple, Chicago Mastered by Decca Recording Studios UK for this reason, Country is set to Europe. On Side 3, two tracks. First trackC1 with duration, Second trackC2 without duration because track C2 is first part to fig. Exclusive discount for Prime members. Sample this album Artist - Artist Sample. 1 In D - 1. by Chicago Symphony Orchestra and Sir Georg Solti. Schleppend by Chicago Symphony Orchestra and Sir Georg Solti. Album Only. 1 In D - 2. Kräftig Bewegt. Mahler: Symphony No. 7 in E minor - 2. Nachtmusik Allegro moderato. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. 5 in C Sharp Minor. Chicago Symphony Orchestra, Georg Solti, Gustav Mahler. 5 in C sharp minor - 4. Adagietto Sehr langsamLive in Vienna, 1990. Tippett: Symphony No. Fig 21 - Georg Solti, Chicago Symphony Orchestra. Sehr massig. Gustav Mahler. Chicago Symphony Orchestra, Georg Solti. When the 80-year-old, Dutch-born Haitink first introduced Mahler symphonies to audiences early in his career, halls were half empty. Now the composer guarantees full houses and Haitink's pioneering devotion and numerous Mahler recordings are partly responsible. This new, white-hot version of the C minor Resurrection, recorded live with the Chicago SO last year, has characteristic nobility, dynamic variety, detail, clarity, lyricism and, in the opening movement, a monumentally slow, shattering climax which makes even Klemperer's famously weighty 19612 EMI recording seem speedy. Handel: Messiah, HWV 56, Pt. 1 - Symphony - Kiri Te Kanawa, Chicago Symphony Chorus, Chicago Symphony Orchestra, Georg Solti






















