Natalie Dessay - Mozart, Orchestre De L'Opéra De Lyon, Theodor Guschlbauer - Concert Arias FLAC
Tracklist
| 1 | Vorrei Spiegarvi, Oh Dio | 7:09 |
| 2 | Ah Se in Ciel, Benigne Stelle | 7:20 |
| 3 | Alcandro, Lo Confesso... Non So Donde Viene | 8:57 |
| 4 | Se Tutti I Mali Miei | 6:59 |
| 5 | Popoli Di Tessaglia... Lo Non Chiedo | 10:56 |
| 6 | No, Che Non Sei Capace | 4:29 |
| 7 | Ma Che Vi Fece, O Stelle... Sperai Vicino Il Lido | 8:34 |
| 8 | Mia Sperenza Adorata... Ah Non Sai Qual Pena Sia | 8:51 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 50999 686371 2 5 | Natalie Dessay - Mozart | Natalie Dessay - Mozart - Concert Arias (CD, Album, RE) | Virgin Classics | 50999 686371 2 5 | Europe | 2009 |
| 7243 4 76855 2 1 | Natalie Dessay, Mozart | Natalie Dessay, Mozart - Concert Arias (CD, Album, RE) | EMI Classics | 7243 4 76855 2 1 | Europe | 2005 |
Credits
- Booklet Editor – Adélaïde de Place
- Composed By – Wolfgang Amadeus Mozart
- Conductor – Theodor Guschlbauer
- Design Concept – Alain Combet
- Engineer – Raymond Buttin
- Executive Producer – Alain Lanceron
- Orchestra – Orchestre De L'Opéra De Lyon
- Producer – Etienne Collard
- Soprano Vocals – Natalie Dessay
Notes
Recorded Opéra de Lyon 12-16.XII.1994
Barcodes
- Barcode: 724355538628
Album
Wolfgang Amadeus Mozart Composer, Theodor Guschlbauer Conductor, Orchestre de l'Opéra de Lyon Orchestra, Natalie Dessay Performer, Frédéric Tardy Performer, Jean Estournet Performer, Carlo Colombo Performer & 4 more Format: Audio CD. Orchestre De L'Opéra National De Lyon: все альбомы, включая Suite symphonique de Claude VI. Bacchanale de la mort , Baroque Song pour orchestreI. Vivacissimo , Stella di Napoli и другие. The Lyon Opera Orchestra under Theodor Guschlbauer stays out of Dessay's way, which is exactly the right place for it. The booklet notes, in English, French, and German the French and German notes are different from the English but identical to each other, are abbreviated from the earlier release there is no biographical information, but the basic background on the music is helpful. Dessay returned on stage in a benefit concert at the Opéra de Montréal on 8 May 2005, and later in the month, took part in Haydn's The Creation at the Festival de Saint-Denis. In November she starred in Gounod's Roméo et Juliette as Juliette at the Metropolitan Opera. In 2016 she released an album inspired by the paintings of Edward Hopper, Portraits of America. 1995: Mozart: Concert Arias Theodor Guschlbauer, Orchestre de l'Opéra de Lyon EMI. 1996: French Opera Arias Patrick Fournillier, Orchestre Philharmonique de Monte-Carlo EMI. Conductor: Theodore Guschlbauer. Performers: - Natalie Dessay. Orchestre de l'Opera National de Lyon. In MP3 format In FLAC format. Natalie Dessay - Mozart concert arias. Ah se in ciel, benigne stelle'', KV 538 1788 - Text- Pietro Metastaso. Buy all with 10 discount. Album 2009 8 Songs. Mozart: Airs de Concert. Natalie Dessay. Classical 2009. Ah se in ciel, benigne stelle, K. By Wolfgang Amadeus MozartJean Estournet, Natalie Dessay, Orchestre de l'Opéra National de Lyon & Theodor Guschlbauer. Concert Arias. XE2005. EMI Classics absorbed into Warner Classics since 2013-07-19. Release group information. Artist . Recorded At Opéra De Lyon. Compiled By Ken Jagger. Composed By Wolfgang Amadeus Mozart. Conductor Theodor Guschlbauer. Design Stuart Wilson 2. Orchestra Orchestre De L'Opéra De Lyon. Producer Alain Lanceron, Étienne Collard. Recorded By Radio France. Soprano Vocals Natalie Dessay. Violin Jean Estournet. Listen to music from Natalie DessayOrchestre de l'Opéra National de LyonChoeurs de l'Opéra National de LyonEvelino Pidò like La Sonnambula, Act II Scene 2: Ah no credea mirarti Amina and LA SONNAMBULA : Act II Scene 2: Ah no credea mirarti Amina BELLINI, Vincenzo 1801-1835. Find the latest tracks, albums, and images from Natalie DessayOrchestre de l'Opéra National de LyonChoeurs de l'Opéra National de LyonEvelino Pidò. Track name. Mozart's concert arias are not really generically independent from his operas. They were mostly written for insertion into operas by a singer, often Mozart's girlfriend and then sister-in-law Aloysia Weber, who wanted to display her talents to their best advantage. As such, however, they stand out from other operatic arias as some of the most difficult vocal pieces Mozart composed. Several of these pieces are in Queen of the Night territory, with not just individual high notes but lengthy passages that require the singer to be melodic at the very top of her range
