Oliver Nelson - More Blues And The Abstract Truth FLAC

Tracklist

Credits

• Alto Saxophone – Phil Woods
• Arranged By – Oliver Nelson
• Baritone Saxophone – Pepper Adams
• Bass – Richard Davis
• Conductor – Oliver Nelson
• Drums – Grady Tate
• Engineer – Rudy Van Gelder
• Piano – Roger Kellaway
• Producer – Bob Thiele
• Tenor Saxophone – Phil Bodner (tracks: A1 to A3, B1, B2, B4)
• Trumpet – Thad Jones (tracks: A2 to A4, B2 to B4)

Notes

Recorded November 10 and 11, 1964.
Mono reissue 1972 on black label with color spectrum boxed Impulse and ABC logo.

Album

The Complete Blues and the Abstract Truth - Oliver Nelson. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Blues And The Abstract Truth - Oliver Nelson. The Blues and the Abstract Truth - Oliver Nelson. More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse label. He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing. Oliver Edward Nelson June 4, 1932 October 28, 1975 was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album. However there are some strong moments from such all-stars as trumpeter Thad Jones, altoist Phil Woods, baritonist Pepper Adams, pianist Roger Kellaway and guest tenor Ben Webster who is on two songs. Oliver Nelson alto saxophone, tenor saxophone Eric Dolphy flute, alto saxophone George Barrow baritone saxophone Freddie Hubbard trumpet Bill Evans piano Paul Chambers bass Roy Haynes drums. Songs in album Oliver Nelson - The Blues And The Abstract Truth 1961. Oliver Nelson - Stolen Moments. Oliver Nelson. Jazz , 1964. Blues and the Abstract Truth. Blues O'Mighty. Get Started. United States. Listen free to Oliver Nelson The Blues and the Abstract Truth Stolen Moments, Hoe-Down and more. 6 tracks 36:28. Learn more. Recent Listening Trend. Oliver Nelson arrived in New York City in 1959, a time and place that produced seminal albums in the history of modern jazz, among them Kind of Blue by Miles Davis and The Shape of Jazz to Come by Ornette Coleman, who made his debut in the city that same year. But what Creed Taylor got was much more than a fine tenor player, as Nelson focused on composition and arrangement for his recording debut at Impulse. The first track on The Blues and the Abstract Truth and the most memorable on the album, Stolen Moments, is a good example