Peter Brötzmann Octet - Machine Gun FLAC

Tracklist
| 1 | Machine GunWritten-By – Brötzmann |
| 2 | ResponsibleWritten-By – Van Hove |
| 3 | Music For Han BenninkWritten-By – Breuker |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| BRÖ 2 | Peter Brötzmann Octet | Machine Gun (LP, Album) | BRÖ | BRÖ 2 | Germany | 1968 |
| CF020 | The Peter Brötzmann Octet | Machine Gun (LP, Album, RE, RM) | CIEN FUEGOS | CF020 | Austria | 2018 |
| FMP CD 24 | The Peter Brötzmann Octet | Machine Gun (CD, Album, RE) | FMP | FMP CD 24 | Germany | Unknown |
| BRÖ 2 | Peter Brötzmann Octet | Machine Gun (LP, Album, Whi) | BRÖ | BRÖ 2 | Germany | 1968 |
| FMP 0090 | The Peter Brötzmann Octet | Machine Gun (LP, Album, RE) | FMP | FMP 0090 | Germany | 1989 |
Credits
- Acoustic Bass – Buschi Niebergall, Peter Kowald
- Baritone Saxophone, Tenor Saxophone, Producer – Peter Brötzmann
- Drums – Han Bennink, Sven-Åke Johansson
- Engineer – Gunther Zipelius
- Piano – Fred Van Hove
- Tenor Saxophone – Evan Parker, Willem Breuker
Notes
Recorded May 1968/"Lila Eule"/Bremen.
This pressing has ”Mierendorffstrasse 19” printed on the back cover, which confirms that it was made earlier than those that have ”Behaimstrasse 4” printed. There also exist a pressing on FMP (see the following entry on discogs: 13635456) that has no adress on the back cover, similar to the earlier edition on BRÖ.
This entry (having ”Mierendorffstrasse 19” printed on the back) is most likely a first or a second pressing on FMP. No other version featuring ”Mierendorffstrasse 19” has been reported to exist.
The first edition of Machine Gun was released on BRÖ in 1968.
Barcodes
- Matrix / Runout: ST-BRÖ 2 A
- Matrix / Runout: ST-BRÖ 2 B
Companies
- Recorded At – Lila Eule
Video
Album
Machine Gun is the second album by jazz saxophonist Peter Brötzmann, released on the BRÖ label in 1968, later reissued on the FMP label in 1971. In 1990 FMP issued the album on CD, adding two previously unreleased alternate takes. In 2007, Atavistic Records reissued the album again as The Complete Machine Gun Sessions, adding the only live recording of the title piece previously issued on the Fuck DeBoere CD. In 2011 the label Slowboy reissued the first studio take again on vinyl in tip-on style. Machine Gun. The Peter Brötzmann Octet. The Complete Machine Gun Sessions. Music Video Distributors от лица компании. The Complete Machine Gun Sessions - The Peter Brötzmann Octet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Recorded in May 1968, Machine Gun captures some top European improvisers at the beginning of their influential careers, and is regarded by some as the first European - not just German or British - jazz recording. Originally self-released by Peter Brötzmann, the album eventually came out on the FMP label, and set a new high-water mark for free jazz and energy music that few have approached since. Recorded in May 1968, Machine Gun captures some top European improvisers at the beginning of their influential careers. Brötzmann is joined on sax by British stalwar read more. Peter Brotzmann - Machine Gun 1968. To favorites 1 Download album. Listen album. Free Jazz. Peter Brotzmann. Songs in album Peter Brotzmann - Machine Gun 1968. Peter Brotzmann - Machine Gun. Peter Brotzmann - Responsible For Jan Van De Ven. Peter Brotzmann - Music For Han Bennink. Découvrez des références, des avis, des crédits, des chansons, et bien plus encore à propos de Peter Brötzmann Octet - Machine Gun sur Gun - The Peter Brötzmann Octet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Jazz 2007. Responsible, For Jan Van De Ven. Machine Gun, Second Take. Responsible, For Jan Van De Ven First Take. Peter Brotzmann - Machine Gun review: Machine gun, automatic gun for fast, continuous firing. This serves as the metaphor of Peter Brotzmann's free jazz masterwork and describes exactly what the opening notes of the first track set out to accomplish to reveal another side of sound through explicit, abrasive, truly frightening and impenetrable waves of saxophone blasting, bizarre percussive hits, wondering pianos and various schemes of atmosphere
























