clubdiva
» » Peter Brötzmann Octet - Machine Gun

Peter Brötzmann Octet - Machine Gun FLAC

Peter Brötzmann Octet - Machine Gun FLAC
Performer:
Peter Brötzmann Octet
Album:
Machine Gun
Style:
Free Jazz
Released:
1972
Country:
Germany
Label:
FMP
Catalog:
FMP 0090
FLAC size:
1791 mb
MP3 size:
2388 mb
WMA size:
1779 mb


Tracklist


1Machine Gun
Written-By – Brötzmann
2Responsible
Written-By – Van Hove
3Music For Han Bennink
Written-By – Breuker


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
BRÖ 2Peter Brötzmann Octet Machine Gun ‎(LP, Album)BRÖBRÖ 2Germany1968
CF020The Peter Brötzmann Octet Machine Gun ‎(LP, Album, RE, RM)CIEN FUEGOSCF020Austria2018
FMP CD 24The Peter Brötzmann Octet Machine Gun ‎(CD, Album, RE)FMPFMP CD 24GermanyUnknown
BRÖ 2Peter Brötzmann Octet Machine Gun ‎(LP, Album, Whi)BRÖBRÖ 2Germany1968
FMP 0090The Peter Brötzmann Octet Machine Gun ‎(LP, Album, RE)FMPFMP 0090Germany1989


Credits


  • Acoustic BassBuschi Niebergall, Peter Kowald
  • Baritone Saxophone, Tenor Saxophone, ProducerPeter Brötzmann
  • DrumsHan Bennink, Sven-Åke Johansson
  • EngineerGunther Zipelius
  • PianoFred Van Hove
  • Tenor SaxophoneEvan Parker, Willem Breuker


Notes


Recorded May 1968/"Lila Eule"/Bremen.
This pressing has ”Mierendorffstrasse 19” printed on the back cover, which confirms that it was made earlier than those that have ”Behaimstrasse 4” printed. There also exist a pressing on FMP (see the following entry on discogs: 13635456) that has no adress on the back cover, similar to the earlier edition on BRÖ.
This entry (having ”Mierendorffstrasse 19” printed on the back) is most likely a first or a second pressing on FMP. No other version featuring ”Mierendorffstrasse 19” has been reported to exist.
The first edition of Machine Gun was released on BRÖ in 1968.


Barcodes


  • Matrix / Runout: ST-BRÖ 2 A
  • Matrix / Runout: ST-BRÖ 2 B


Companies


  • Recorded At – Lila Eule


Video



Album


Machine Gun is the second album by jazz saxophonist Peter Brötzmann, released on the BRÖ label in 1968, later reissued on the FMP label in 1971. In 1990 FMP issued the album on CD, adding two previously unreleased alternate takes. In 2007, Atavistic Records reissued the album again as The Complete Machine Gun Sessions, adding the only live recording of the title piece previously issued on the Fuck DeBoere CD. In 2011 the label Slowboy reissued the first studio take again on vinyl in tip-on style. Machine Gun. The Peter Brötzmann Octet. The Complete Machine Gun Sessions. Music Video Distributors от лица компании. The Complete Machine Gun Sessions - The Peter Brötzmann Octet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Recorded in May 1968, Machine Gun captures some top European improvisers at the beginning of their influential careers, and is regarded by some as the first European - not just German or British - jazz recording. Originally self-released by Peter Brötzmann, the album eventually came out on the FMP label, and set a new high-water mark for free jazz and energy music that few have approached since. Recorded in May 1968, Machine Gun captures some top European improvisers at the beginning of their influential careers. Brötzmann is joined on sax by British stalwar read more. Peter Brotzmann - Machine Gun 1968. To favorites 1 Download album. Listen album. Free Jazz. Peter Brotzmann. Songs in album Peter Brotzmann - Machine Gun 1968. Peter Brotzmann - Machine Gun. Peter Brotzmann - Responsible For Jan Van De Ven. Peter Brotzmann - Music For Han Bennink. Découvrez des références, des avis, des crédits, des chansons, et bien plus encore à propos de Peter Brötzmann Octet - Machine Gun sur Gun - The Peter Brötzmann Octet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Jazz 2007. Responsible, For Jan Van De Ven. Machine Gun, Second Take. Responsible, For Jan Van De Ven First Take. Peter Brotzmann - Machine Gun review: Machine gun, automatic gun for fast, continuous firing. This serves as the metaphor of Peter Brotzmann's free jazz masterwork and describes exactly what the opening notes of the first track set out to accomplish to reveal another side of sound through explicit, abrasive, truly frightening and impenetrable waves of saxophone blasting, bizarre percussive hits, wondering pianos and various schemes of atmosphere