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Sleater-Kinney - No Cities To Love FLAC

Sleater-Kinney - No Cities To Love FLAC
Performer:
Sleater-Kinney
Album:
No Cities To Love
Style:
Alternative Rock, Indie Rock, Garage Rock
Released:
20 Jan 2015
Country:
US
Label:
Sub Pop
Catalog:
SP1100
FLAC size:
1669 mb
MP3 size:
1268 mb
WMA size:
1673 mb


Tracklist


1A New Wave
2Fade
3Bury Our Friends
4Fangless
5Hey Darling
6No Cities To Love
7Surface Envy
8No Anthems
9Price Tag
10Gimme Love


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
SP1100Sleater - Kinney No Cities To Love ‎(Cass, Album)Sub PopSP1100US2015
SP1100Sleater-Kinney No Cities To Love ‎(12xFile, MP3, Album, Dlx, 320)Sub PopSP11002015
SP1100Sleater-Kinney No Cities To Love ‎(10xFile, ALAC, Album)Sub PopSP11002015
TRCP 179Sleater - Kinney No Cities To Love ‎(CD, Album)Sub PopTRCP 179Japan2015
SP1100Sleater - Kinney No Cities To Love ‎(CD, Album)Sub PopSP1100Europe2015


Credits


  • Art DirectionMike Mills
  • DesignMike Mills , Thea Lorentzen
  • EngineerGarrett G. Reynolds, Jay Pellicci
  • Lacquer Cut ByRay Janos
  • Mastered ByGreg Calbi
  • Mixed ByJohn Goodmanson
  • Photography By [Back Cover]ESO
  • Photography By [Band Photography] Brigitte Sire
  • Photography By [Front Cover]Mike Mills , Thea Lorentzen
  • ProducerJohn Goodmanson
  • Recorded ByJohn Goodmanson
  • Written-BySleater-Kinney


Notes


Standard black vinyl edition, comes in a triple gatefold cover.
Includes a four page sheet with lyrics and credits and a coupon with free download code.

All songs written by Sleater Kinney.
Code Word Nemesis (ASCAP)

©℗ 2015 Sub Pop Records.

Back Cover Photograph: Eso, "Colour-Composite of the Sky Field with Several High-Redshift Galaxies"

The difference between this one and Sleater-Kinney - No Cities To Love is the runout. This one is a different cutting.


Barcodes


  • Barcode: 0 98787 11001 2
  • Matrix / Runout (A side Hand Etched (STERLING stamped)): SP1100A 22900-1 RJ STERLING
  • Matrix / Runout (B side Hand Etched (STERLING stamped)): SP1100B 22900-2 RJ STERLING
  • Rights Society: ASCAP


Companies


  • Mixed At – Bogroll Studio
  • Recorded At – Tiny Telephone
  • Recorded At – Kung Fu Bakery
  • Recorded At – Electrokitty
  • Mastered At – Sterling Sound
  • Engineered At – Tiny Telephone
  • Phonographic Copyright (p) – Sub Pop Records
  • Copyright (c) – Sub Pop Records
  • Published By – Code Word Nemesis
  • Engineered At – Electrokitty
  • Pressed By – Record Technology Incorporated – 22900


Video



Album


No Cities to Love is the eighth studio album by American rock band Sleater-Kinney, released on January 20, 2015, through Sub Pop. It is the first album following a decade-long hiatus and the band's 2005 release, The Woods. The album received universal acclaim from music critics and was listed on several Best Albums of 2015 lists. The album was recorded in secret mostly at Tiny Telephone in San Francisco, with additional sessions at Electrokitty in Seattle and Kung Fu Bakery in Portland. It was. No Cities to Love. Sub Pop Records от лица компании SUB POP ASCAP, Abramus Digital, LatinAutor - PeerMusic, CMRRA, ARESA, LatinAutor, BMG Rights Management US, LLC и другие авторские общества 7. No Cities To Love by Sleater-Kinney, released 20 January 2015 1. Price Tag 2. Fangless 3. Surface Envy 4. No Cities To Love 5. A New Wave 6. No Anthems 7. Gimme Love 8. Bury Our Friends 9. Hey Darling 10. Fade We sound possessed on these songs, says guitaristvocalist Carrie Brownstein about Sleater-Kinneys eighth studio album, No Cities to Love. Willing it allthe entire weight of the band and what it means to usback into existence. Brendon Tan. Songs in album Sleater-Kinney - No Cities To Love 2015. Sleater-Kinney - Price Tag. Sleater-Kinney - Fangless. Sleater-Kinney - Surface Envy. Sleater-Kinney - No Cities To Love. Sleater-Kinney - A New Wave. Sleater-Kinney - No Anthems. Sleater-Kinney - Gimme Love. Sleater-Kinney - Bury Our Friends. No Cities to Love is the eighth studio album by Sleater-Kinney and the first after a decade long hiatus. The album was released on January 20, 2015. No Cities To Love. Alternative , 2015. Corin Tucker is in full command of her howitzer of a voice on standouts like Surface Envy. Carrie Brownsteins haughty punk sneer leads the glorious A New Wave. Janet Weiss masterful drumming navigates the songwritings hairpin tonal shifts, from the glittering Hey Darling to the turbulent album closer, Fade. No Cities to Love is an electrifying step forward for one of the great American rock bands. No Cities to Love is the band's most front-to-back accessible album, amping their omnipresent love of new wave pop with aerodynamic choruses. Sleater-Kinney began work on No Cities in earnest around May 2012, they have said, but especially on the anthemic title track and Hey Darling-the first two songs they wrote-you can hear echoes of that decade of pause, an airing out of just why. The titular phrase is abstract enough, but considering Brownstein's vocal incompatibility with the van-show-van-show tour-life void-and her lines, here, about a ritual of emptiness-it plays like a direct take on the complicated reality of the rootless rock band and its scattered tribe. Released January 20, 2015. No Cities to Love Tracklist. Price Tag Lyrics. No Cities To Love Tracklist, Album Art Lyrics. About No Cities to Love. Sleater-Kinneys eighth studio record and their first in nearly a decade was released in January 2015. No Cities to Love Q&A. Perhaps it was inevitable that Sleater-Kinney would reunite. They parted ways in 2006 claiming that it was a hiatus, not a dissolution, thereby leaving the door open for a comeback - a comeback that arrived nearly ten years after the group faded away. Smartly, Sleater-Kinney don't pick up the threads left hanging by the knotty, roiling The Woods. No Cities To Love is Sleater- Kinneys most focused, accessible and often furious work. Read full review. Sleater-Kinney is one of my favorite bands of all-time - the fact that they regrouped and created a new album is amazing to me, it's as ifSleater-Kinney is one of my favorite bands of all-time - the fact that they regrouped and created a new album is amazing to me, it's as if Joe Strummer. never died and The Clash got back together. and what's more, in doing so, they released an album that feels like there wasn't 10 years in between The Woods and this