Electric Guitar, Lap Steel Guitar, Acoustic Guitar, Backing Vocals – Chris Masterson
Keyboards, Lap Steel Guitar, Pedal Steel Guitar, Lap Steel Guitar [Acoustic], Backing Vocals – Mark Spencer
Mastered By – Gavin Lurssen
Mixed By – Joe Henry, Ryan Freeland
Recorded By – Chris Masterson, Jason Hutto, John Agnello, Mark Spencer
Violin, Viola – Eleanor Whitmore
Vocals, Acoustic Guitar, Piano, Lap Steel Guitar [Acoustic] – Jay Farrar
Written-By – Jay Farrar
Barcodes
Barcode: 011661327429
Matrix / Runout: 00116 613 274-2 01 + 52340837
Label Code: 00171
Rights Society: BIEM / SABAM
Companies
Made By – EDC, Germany – 52340837
Video
Album
American Central Dust is the sixth studio album by the band Son Volt. It was released July 7, 2009. Mojo gave the album four stars out of five and said, There's a back-to-basics feel on the mid-tempo country rockers, the slow beauties and mournful lap steel, and even on the musically warm, more upbeat, almost Tex-Mex opening song. The Boston Globe gave the album a favorable review and said, As usual. Album 2009 12 Songs. American Central Dust. Son Volt. 12 tracks 44:01. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2009 CD от American Central Dust на Central Dust. Released July 7, 2009. American Central Dust Tracklist. Dynamite Lyrics. American Central Dust Q&A. Writers Jay Farrar. More Son Volt albums. Notes of Blue. Show all albums by Son Volt. Son Volt may be playing it too safe on American Central Dust, but the songs are still woven together with a feeling of comfort and familiarity. Read full review. American Central Dust, 2009. Down to the Wire, 04:19. Roll On, 03:10. Dust of Daylight, 03:06. No Turning Back, 03:34. Exiles, 04:22. American Central Dust swirls with dark roads, biker bars, broken dreams, heart-ache, brutal truths and other familiar archetypes. Yet despite such recourse to such well-worn touchstones this doesn't sound like a backwards step. If anything, the stripped-back sound gets us closer to the bones of his chosen themes which alternate between the intimate micro-climates of the soul and the macro-consequences of when pride most assuredly comes before a fall
