Sontag Shogun - Patterns For Resonant Space FLAC

Tracklist
| 1 | no.16 (Windmill) | 2:02 |
| 2 | no.5 (Melt Canyon) | 2:00 |
| 3 | no.2 (Music Box) | 2:34 |
| 4 | no.4 (Sonar) | 3:29 |
| 5 | no.17 (Chopsticks, Motor, Lecture) | 2:35 |
| 6 | no.13 (Sushi Rice, AM Frequency Gap, Pines) | 2:58 |
| 7 | no.10 (£20,000) | 2:56 |
| 8 | no.8 (Leaves Like Photographs)Other [Chatter] – Sam Ackerley | 7:32 |
| 9 | no.19 (Patient Elegy for Bernr'd Hoffmann) | 3:06 |
| 10 | no.9 (Barricade Bleu) | 2:24 |
Credits
- Artwork, Design, Executive-Producer – Nicholas Concklin
- Executive-Producer – John Moses
- Mastered By – Giuseppe Ielasi
- Recorded By – David Bryant
- Recorded By [Piano] – Ian Temple , Jesse Perlstein
Notes
Comes with special polybag that allows the front cover artwork to "self-animate" when removing the record from the polybag
Edition of 300 copies.
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In tonality and design, "Patterns for Resonant Space" soundtracks a solitary journey through old photographs, building and deconstructing each composition in tandem with each narrative. The group’s pianist, Ian Temple, describes the recording process:
“This album was an experiment in reverse engineering our normal composition process. We started with sounds and noises, and then I responded to those with piano. We didn't have any piano ideas written before recording day, so I was able to respond in a very pure way to what I heard. With every melodic idea, I aimed to create the most simple possible statement, something succinct and focused to parallel the way that each track is defined by a few very specific sounds. I think we ended up with 20+ short piano ideas recorded in my living room on my childhood upright, and then narrowed it down to the ones that told the best story.”
In conjunction with Temple, Jeremy Young and Jesse Perlstein utilized a diverse mosaic of electronic equipment to assemble a textured base throughout the album. Calling on tape loops, signal generators, field recordings, an organ, and a glockenspiel, they explored new terrain at The Pines in Montreal. The duo played sounds through amps, miking each room in different spots to capture their true aural qualities. This method of recording would limit the digital editing process and reflect the uniqueness of that particular space and experience.
The result of the group’s experiment is a hazed nostalgia; a collection of 10 compositions passively investigating the caverns and cul de sacs of our shared conscious.
A1. Sontag Shogun - no.13 (Sushi Rice, AM Frequency Gap, Pines)
A2. Sontag Shogun - no.9 (Barricade Bleu)
A3. Sontag Shogun - no.5 (Melt Canyon)
A4. Sontag Shogun - no.19 (Patient Elegy for Bernr'd Hoffmann)
A5. Sontag Shogun - no.4 (Sonar)
B1. Sontag Shogun - no.2 (Music Box)
B2. Sontag Shogun - no.16 (Windmill)
B3. Sontag Shogun - no.17 (Chopsticks, Motor, Lecture)
B4. Sontag Shogun - no.10 (£20,000)
B5. Sontag Shogun - no.8 (Leaves Like Photographs)
Patterns For Resonant Space was captured by David Bryant, through amps, direct circuitry, and in a resonant room called The Pines, Montreal, 2015. Piano recorded by Ian Temple & Jesse Perlstein at home in Brooklyn, 2016. Chatter on no.8 by Sam Ackerley. Mastered by Guiseppe Ielasi.
(P) & (C) 2017 Youngbloods — all rights reserved.
www.weareyoungbloods.com
Barcodes
- Barcode: 708744979179
Companies
- Recorded At – The Pines
Video
Album
Patterns For Resonant Space was captured by David Bryant, through amps, direct circuitry, and in a resonant room called The Pines, Montreal, 2015. Piano recorded by Ian Temple & Jesse Perlstein at home in Brooklyn, 2016. Chatter on no. 8 by Sam Ackerley. Mastered by Giuseppe Ielasi. Melodic and photographic intent clearedfinallyby the estate of Bernrd Hoffmann. Artwork and Design by Nicholas Concklin. Executive Produced by John Moses and Nicholas Concklin. Patterns Outtakes - EP. The Things We Let Fall Apart, The Thunderswan - free to Sontag Shogun Patterns for Resonant Space Sushi Rice, AM Frequency Gap, Pines, no. 9 Barricade Bleu and more. 10 tracks 31:36. SONTAG SHOGUN 2006 - present, Brooklyn, New York Sontag Shogun was borne from the ashes of the fiery phoenix. This blazing winged creature produced a wet mewling pup, crawling blindly through the slick muck that was wet, ashy birth. Sontag Shogun is, put simply, an ongoing experiment. Sontag Shogun. Patterns for Resonant Space. Your Rating. Overview . Patterns for Resonant Space, 2017. Sushi Rice, AM Frequency Gap, Pines, 02:58. 9 Barricade Bleu, 02:24. 5 Melt Canyon, 02:00. Patient Elegy for Bernr'd Hoffmann, 03:06. 4 Sonar, 03:29. In tonality and design, Patterns for Resonant Space soundtracks a solitary journey through old photographs, building and deconstructing each composition in tandem with each narrative. Contemporary Classical Avantgarde Avant-Garde Neoclassical Classical Found Sound Piano Analog Downtempo. Released by: Youngbloods. Album release date: 23 July 2017. Sontag Shogun - Sushi Rice, AM Frequency Gap, Pines. Sontag Shogun - no. 9 Barricade Bleu. 5 Melt Canyon. 4 Sonar. Albums from this user. View all. Sontag Shogun songs are like environments to float through, lost in hushed wonder. An insectile fragility informs the music that this Brooklyn-based trio has released since its 2011 debut. Ian Temples curious, painterly piano-think Erik Satie or George Gershwin-grounds the aesthetic, while Jeremy Young and Jesse Perlstein tremor the balance with filmic samples and carefully skewered tapes. This is Patterns for Resonant Space in a nutshell-a slippery record thats never the same twice, always evolving to reveal something new. Mastered by Guiseppe Ielasi. Codice a barre e altri identificatori. Barcode: 708744979179. Release Date 2017-07-28. Label Youngbloods. Patient Elegy for Bernr'd Hoffmann Original Mix























