Soundgarden - Down On The Upside FLAC

Tracklist

Versions

Credits

• Bass, Photography [Back Photo] – Ben Shepherd
• Co-producer, Engineer, Mixed By – Adam Kasper
• Drums, Percussion – Matt Cameron
• Engineer [Assistant] – Matt Bayles, Sam Hofstedt
• Guitar [Lead] – Kim Thayil
• Lyrics By – Ben Shepherd (tracks: 15), Chris Cornell (tracks: 1 to 9, 11 to 14, 16), Kim Thayil (tracks: 10)
• Mastered By – David Collins
• Music By – Ben Shepherd (tracks: 3 to 5, 13, 15), Chris Cornell (tracks: 1, 6, 7, 11, 12, 14, 16), Kim Thayil (tracks: 10), Matt Cameron (tracks: 2, 9)
• Photography – Kevin Westenberg
• Photography [Cinema] – Ben Marra Studios
• Producer, Mixed By – Soundgarden
• Vocals, Guitar – Chris Cornell

Notes

Edition with golden print on cassette.

Barcodes

• Barcode: 7 31454 0526 4 1

Video

Album

Down on the Upside is the fifth studio album by the American rock band Soundgarden, released on May 21, 1996, through A&M Records. It is the band's third album with bassist Ben Shepherd. Following a worldwide tour in support of its previous album, Superunknown 1994, Soundgarden commenced work on a new album. Self-produced by the band, the music on the album was notably less heavy and dark than the group's preceding albums and featured the band experimenting with other sounds. Down On The Upside was released on May 21, 1996, continuing the bands musical development away from alt-metal into hard-edged experimentation. Rave called it full of dualities and binary oppositions People said Soundgarden breaks down the walls and pulverizes them. Self-produced and stylistically various, it was perhaps the most complete expression of just how far the band had travelled. Four singles were released from the album: Pretty Noose, nominated in 1997 for a Grammy for Best Hard Rock Performance, Blow Up the Outside World, Burden in My Hand and Ty Cobb. The album reached number. Down On The Upside - Soundgarden. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Blow Up The Outside World. UMG от лица компании A&M Global Music Rights LLC, ARESA, LatinAutor, Abramus Digital, LatinAutor - PeerMusic, BMG Rights Management US, LLC, CMRRA и другие авторские общества 6. Never The Machine Forever. Soundgarden - Down On Upside 1996. To favorites 15 Download album. Listen album. Songs in album Soundgarden - Down On Upside 1996. Soundgarden - Pretty Noose. Chris Cornell 20 июля 1964, Сиэтл - 18 мая 2017, Детройт - американский гитарист, композитор и вокалист. Фронтмен группы Soundgarden, также был вокалистом группы Audioslave. В период с 1990 по 1992 являлся фронтменом группы Temple of the Dog. Начал свою музыкальную карьеру как барабанщик, но позже сменил профиль на гитариста и вокалиста. Down on the Upside is the fifth studio album released by Soundgarden and their last before their first breakup and hiatus in 97. The public had high expectations as their previous album, Superunknown, went 5 times platinum. This album dabbles in psychedelic and punk rock, resulting in a really unique heavy metalgrunge album. The album sold generally well but not as well as its predecessor. The name of the album itself comes from the 4th track, Dusty -Cornell said: I brought it up at some point because the song that the title came from was Dusty , but my title for it was Down on the Upsid. Soundgarden - Down On The Upside 1996. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Listen free to Soundgarden Down on the Upside Pretty Noose, Rhinosaur and more. 16 tracks 65:55. Down on the Upside is the fifth studio album by the American alternative rock band Soundgarden, released on May 21, 1996 through A&M Records. The music on the album was notably less heavy than the group's preceding albums and featured the band experimenting with other sounds. Not only did the album bring Soundgarden a new audience, it dramatically expanded their vision, as well as their accomplishments. If Down on the Upside initially seems a retreat from the grand, layered textures of Superunknown, let it sink in. The sound of Down on the Upside is certainly more immediate, but the band hasn't returned to the monstrous, unfocused wailing of Louder Than Love