Sparks - Indiscreet FLAC

Tracklist
| 1 | How Are You Getting Home? | 2:56 |
| 2 | Miss The Start, Miss The End | 2:46 |
| 3 | In The Future | 2:13 |
| 4 | Hospitality On Parade | 3:58 |
| 5 | Get In The Swing | 4:00 |
| 6 | Without Using Hands | 3:19 |
| 7 | It Ain't 1918Fiddle – Mike Piggott | 2:05 |
| 8 | Looks, Looks, Looks | 2:32 |
| 9 | Happy Hunting Ground | 3:44 |
| 10 | Under The Table With Her | 2:19 |
| 11 | Pineapple | 2:42 |
| 12 | Tits | 4:56 |
| 13 | The Lady Is Lingering | 3:40 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| ILPS 9345 | Sparks | Indiscreet (LP, Album, Gat) | Island Records | ILPS 9345 | UK | 1975 |
| ILSP 9345 | Sparks | Indiscreet (CD, Album, Unofficial, Car) | Vox Humana Records | ILSP 9345 | Russia | 2000 |
| L 35669 ILPS 9345 | Sparks | Indiscreet (LP, Album, Gat) | Island Records | L 35669 ILPS 9345 | New Zealand | 1975 |
| ILPS 9345 | Sparks | Indiscreet (LP, Album) | Island Records | ILPS 9345 | South Africa | 1975 |
| UICY-94100 | Sparks | Indiscreet (CD, Album, Ltd, Num, RE, RM, Pap) | Island Records | UICY-94100 | Japan | 2009 |
Credits
- Arranged By [Orchestral] – Tony Visconti
- Bass – Ian Hampton
- Composed By – Ron Mael (tracks: A1 to A6, B2 to B7), Russell Mael (tracks: B1)
- Drums – Dinky Diamond
- Guitar – Trevor White
- Keyboards – Ron Mael
- Photography By [Back Cover] – Gered Mankowitz
- Photography By [Front Cover And Inside] – Richard Creamer
- Producer – Tony Visconti
- Vocals – Russell Mael
Notes
Columbia Records Pressing Plant, Santa Maria pressing indicated by "SM" and "1S"etched in run outs.
Barcodes
- Matrix / Runout (Side A Runout - Etched; Variant 1): IS ILPS-9345-A-1B-CENSM
- Matrix / Runout (Side B Runout - Etched; Variant 1): IS ILPS-9345-B-1A-CENSM
- Matrix / Runout (Side A Runout - Etched; Variant 2): IS ILPS-9345-A-1A-CENSM
- Matrix / Runout (Side B Runout - Etched; Variant 2): IS ILPS-9345-B-1A-CENSM
- Matrix / Runout (Side A Runout - Etched; Variant 3): IS ILPS-9345-A-1B-CENSM SX B
- Matrix / Runout (Side B Runout - Etched; Variant 3): IS ILPS-9345-B-1A-CENSM SM SX
- Matrix / Runout (Side A & B Runout - Stamped): STERLING
- Rights Society: ASCAP
Companies
- Distributed By – Island Records Inc.
- Manufactured By – Island Records Inc.
- Copyright (c) – Ackee Music, Inc.
- Mastered At – Sterling Sound
- Pressed By – Columbia Records Pressing Plant, Santa Maria
Video
Album
Indiscreet is the fifth album by the American rock band Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song How Are You Getting Home was used in Leos Carax's film Holy Motors. Sparks-Indiscreet 1975. To favorites 5 Download album. Listen album. 320 kbps Songs in album Sparks - Indiscreet 1975. Sparks - Hospitality On Parade. Sparks - Happy Hunting Ground. Sparks - Without Using Hands. Sparks - Get In The Swing. Sparks - Under The Table With Her. Sparks - How Are You Getting Home . Pop Rock. Band Name Sparks. Album Name Indiscreet. Type Album. 发布日期 十月 1975. 出版公司 Island Records. 레코드판과 CD를 쇼핑하여 Sparks 컬렉션을 완성해보세요. Indiscreet LP, Album, MPrint, Gat. Ariola Eurodisc Benelux B. 89 434 XOT. 이 버전 판매. ILPS 9345. Indiscreet LP, Album. Listen free to Sparks Indiscreet Hospitality On Parade, Happy Hunting Ground and more. 16 tracks 50:39. Indiscreet, 2008. Hospitality On Parade, 03:59. Happy Hunting Ground, 03:43. Without Using Hands, 03:19. Get In the Swing, 04:07. Under the Table With Her, 02:19. How Are You Getting Home, 02:56. Indiscreet is a music album by Sparks released in 1975. Indiscreet is ranked 5,073rd in the overall chart, 884th in the 1970s, and 84th in the year 1975. This album is rated in the top 8 of all albums on . Album 1975 16 Songs. But their resulting collaboration, 1975s Indiscreet, is much more than a simple glitter rock rave-up. Deliciously dandyish music hall tunes like Without Using Hands, Get in the Swing, and It Aint 1918 indicated that Sparks were moving away from rock music just as the general public was catching up to their demented vision of glam. Then again, anachronisms were the norm for the Russell and Ron Mael. At a time when rock was becoming more pretentious and pompous, Sparks embraced an absurdist comedy that presaged punk and new wave
























