|1||Lesbians On Wax||3:46|
|#016||Tweeter||Lesbians On Wax (File, AIFF, Single, RE)||Voodoo , Netlabel Archive||#016||US||2016|
This was originally released 05/11/1997 as an XM file, then re-released as an MP3 & AIFF by netlabelarchive.org. The download also contains the original XM file.
Tweeter's Album Lesbians On Wax. Listen to all tracks of Lesbians On Wax for here comes some massive multichannelism from tweeter again. tweeter has made a track with kraftwerkish main melody, but i must admit that it fits in and does the job fine. the beats are typical tweeter electronica allthough, them sound a bit like the ones he had in 'melancholy' but since the track goes on so atmospherically and sounds fabulous i decided to. Release it, and you bet he's worked on it as i got a preview already many weeks ago : and what comes to the beat matter. Artist: tweeter Title: lesbians on wax Catalog : 016 Label: Voodoo Release Date: 19971105 ah here comes some massive multichannelism from tweeter on Ecstasy is a Canadian electronic band formed in 2003 in Montreal, Quebec. The band toured across Canada and the U. with Le Tigre before the release of their first recording. The first album, the self-titled Lesbians on Ecstasy was released on October 26, 2004. In 2005, the song from this recording entitled Bitchsy, a re-take of the Fifth Column song All Women Are Bitches, was featured on the TV series Queer as Folk. That same year, Lesbians on Ecstasy was chosen as the Album of the. Tweeter FI album by. Album Tracks. Black Tweeter. by Notparticularlycreative Feb 18 2015. Nightmares on Wax. Biography by Sean Cooper. Follow Artist. Album Highlights. Carboot Soul. A Word of Science. Smokers Delight. Shape the Future. In a Space Outta Sound. Is the Time. See Full Discography. Rise Up. Artist: Max On Wax. Album: Rise Up - Single, 2017. Spacesynth, synthdance, spacedance, spacedisco, synthesizerdance or whatever you want to call it is instrumental upbeat synth music that focuses on melodies instead of rhythm. Their debut album Future Generation 1987 sold approximately 150 000 copies and the singles Powerrun and Humanoid Invasion were big hits in Europe. Koto and Laserdance could be considered the most popular spacesynth groups. They set the standards of the genre and since the golden era of spacesynth many producers have tried to replicate that sound