W. A. Mozart - Martin Helmchen, Netherlands Chamber Orchestra, Gordan Nikolić - Piano Concertos C Major, K.491 - C Minor K.415 FLAC

Tracklist

Versions

Credits

• Composed By – Wolfgang Amadeus Mozart
• Conductor – Gordan Nikolić
• Design – Netherlads
• Edited By – Matthijs Ruiter
• Engineer [Ballance Engineer] – Jean-Marie Geijsen
• Executive-Producer – Job Maarse
• Liner Notes – Martin Helmchen, Ronald Vermeulen
• Liner Notes [English Translation] – Fiona J. Stroker-Gale
• Liner Notes [French Translation] – Brigitte Zwerver-Berret
• Orchestra – Netherlands Chamber Orchestra
• Photography By [Cover ] – Marco Borggreve
• Piano – Martin Helmchen
• Recorded By – Job Maarse

Notes

Recording: April 2007 at the Philharmonie, Haarlem, The Netherlands
22-pages booklet
Total time: 60:13

Barcodes

• Barcode: 827949030567
• Label Code: LC 12686
• SPARS Code: DDD

Companies

• Phonographic Copyright (p) – PentaTone Music B.V.
• Copyright (c) – PentaTone Music B.V.
• Made By – Sonopress Arvato – 52361299
• Recorded At – Philharmonie Haarlem

Album

The Piano Concerto No. 24 in C minor, K. 491 is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed Wolfgang Amadeus Mozart Martin Helmchen Netherlands Chamber Orchestra Gordan Nikolić. Piano Concerto No. 13 in C Major, K. Allegro cadenza by Mozart Wolfgang Amadeus Mozart Martin Helmchen Netherlands Chamber Orchestra Gordan Nikolić. This debut album from acclaimed German pianist Martin Helmchen, recorded when he was only 25 years old, launched his international, award-winning career. He is wonderfully accompanied on these two beloved Mozart concertos by the Netherlands Chamber Orchestra led by Gordan Nikolić. piano: Martin Helmchen pianist in 2007-04. orchestra: Nederlands Kamerorkest in 2007-04. Concerto for Piano no. 13 in C major, K. 387b415: I. Allegro catch-all for arrangements track 4. 387b415: II. Andante catch-all for arrangements track 5. 387b415: III. Allegro catch-all for arrangements track 6. Mozart: Piano Concerto No. 21 in C Major, K. 467 Elvira Madigan & Piano Concerto No. 24 in C Minor, K. 491 - Robert Casadesus, Members Of The Cleveland Orchestra, George Szell. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. The concerto is scored for solo piano, flute, two oboes, two bassoons, two horns in C, two trumpets in C, timpani and strings. The concerto has three movements: Allegro maestoso in common time. The tempo marking is in Mozart's catalog of his own works, but not in the autograph manuscript. Netherlands Chamber Orchestra. Conductors: NIKOLIC, Gordan. Other info: Multichannel Hybrid SACD - DSD. MOZART, Wolfgang Amadeus 1756-1791. 24 in C minor K. 2007 6 Songs. Allegro cadenza by Lars Vogt. By Wolfgang Amadeus Mozart. 491: II. 491: III. 415: III. Rondeau: Allegro. Provided to YouTube by NAXOS of America. 415: II. Andante cadenza by Mozart Martin Helmchen. Mozart: Piano Concertos Nos. 2007 PentaTone. Released on: 2007-08-01. Artist: Martin Helmchen Conductor: Gordan Nikolic Orchestra: Netherlands Chamber Orchestra Composer: Wolfgang Amadeus Mozart. Auto-generated by YouTube. Wolfgang amadeus mozart. 25 year old Berlin native Martin Helmchen makes an impressive debut with the Netherlands Chamber Orchestra under Gordan Nikoli in two brilliant works by Mozart, Piano Concertos No. 24 in C Minor, K491 and No. 13 in C Major, K415. Both show the dramatic as well as the purely lyrical side of the composer, allowing Helmchen ample opportunity to display his firm, beautiful tone, his feeling for rhythm, and his strong sense of the harmonic structures of both works. Dr Phil Muse - Atlanta Audio Society. Digital Booklet: Mozart: Piano Concertos Nos. Album Only. This recording of Martin Helmchens performances of the concertos K 415 and 491 was made in 2007, six years earlier than the excellent recording of his performances of the concertos 450 and 595 also reviewed. As with the later recording, here Helmchens natural fluency and clarity produce performances that are immensely satisfying that seem just right in terms of light and shade. Virtuosic demands are handled with style and more dramatic aspects with great sensitivity