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Bathory - The Return...... FLAC

Bathory - The Return...... FLAC
Performer:
Bathory
Album:
The Return......
Style:
Black Metal
Released:
1985
Country:
Canada
Label:
Banzai Records
Catalog:
BRC4 1955
FLAC size:
1509 mb
MP3 size:
1519 mb
WMA size:
1364 mb


Tracklist


1Son Of The Damned
2Revelation Of Doom
3Born For Burning
4 That Side
5Bestial Lust (Bitch)
6Total Destruction
7Reap Of Evil
8The Rite Of Darkness
9 This Side
10The Wind Of Mayhem
11The Return Of The Darkness And Evil
12Possessed
13Sadist (Tormentor)


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
BMLP 666-2, BMLP 666-IIBathory The Return...... ‎(LP, Album)Black Mark Production, Black Mark ProductionBMLP 666-2, BMLP 666-IISweden1985
BMLP 666-2Bathory The Return...... ‎(LP, Album, RE, 180)Black Mark ProductionBMLP 666-2Sweden2013
666-2Bathory The Return... ‎(Cass, Album, RE)Morbid Noizz Productions666-2Poland1999
BMPD6662Bathory The Return...... ‎(LP, Album, Pic, RE)Black Mark ProductionBMPD6662Sweden2014
BMCD 666-2Bathory The Return...... ‎(CD, Album, RE, RM)Black Mark ProductionBMCD 666-2GermanyUnknown


Credits


  • Design [Album Cover]Quorthon
  • Photography By [Album Back Cover Photo]Bathory
  • Photography By [Album Front Cover Photo]Gunnar Silins
  • ProducerBoss , Quorthon
  • Recorded By, Mixed ByBoss
  • Written-ByQuorthon


Notes


Manufactured by Polygram INC.
6000 Cote De Liesse, St-Laurent, Québec


Video



Album


The Return of the Darkness and Evil. The Orchard Music от лица. Enter the Eternal Fire - Продолжительность: 6: ReturnThe Return full title The Return of the Darkness and Evil is the second studio album by Swedish extreme metal band Bathory. It was released on vinyl on 27 May 1985, through Combat Records in the US. The Return had a significant influence on developing the black metal and death metal genres. Quorthon explained the album title as such: We wanted people to just read out The Return as in a second album or a follow-up and then flip the album over to look for a tracking list. Not finding one. Язык: Русский. Страна: США. Like the previous album Bathory, the second album has become a revered masterpiece of black metal. While the recording quality is better than its predecessor, the lyrics focus on similar themes to the first album such as death, evil, and various references to anti-Christianity and Satanism, although the band said it wasnt satanist but treated this themes to attack the Christianity. The Return. Songs in album Bathory - The Return. Bathory - Revelation Of Doom. Bathory - Total Destruction. Bathory - Born For Burning. Bathory - The Wind Of Mayhem. Bathory - The Return. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Listen free to Bathory The Return. Revelation of Doom, Total Destruction and more. 12 tracks 36:37. The Return of the Darkness and Evil is the second album by Bathory. It was released in May 1985 and had an influence on the then-emerging death metal and black metal genres. Quorthon explained the album title as such: We wanted people to just read out The Return. as in a second album or a follow-up - and then flip the album over to look for a tracking list. Not finding one, what they got was this apocalyptic poem with the song titles woven into it. Type: Full-length. Quorthon explains the name: We wanted people to just read out The Return. Only after listening through the album to the end would you get the full title of the album: THE RETURN OF THE DARKNESS AND EVIL. Trivia: Born for Burning was one of the very first original Bathory songs ever written, although initially its title was Live in Sin . Live and Die in S. The most evil album ever recorded. Already tagged. However, Bathory never was black metal. He didn't get around with Hanoi and Vans McBurger and say Hey, let's make music that sounds like its coming from out of a hissing tin can, as ugly as it can be, with no guitar solos, no real singing, no audible bass, no drum solos and sing all about Satan and we'll call it black metal. Where this album suffers greatly is the recording quality. It would make the tin-can albums of the 60s and 70s sound loud and explosive, to say but the very least