Cecil Taylor - Buell Neidlinger - New York City R&B FLAC

Tracklist
| 1 | Cindy's Main Mood | 5:10 |
| 2 | Cell Walk For Celeste | 11:35 |
| 3 | O.P. | 9:08 |
| 4 | Things Ain't What They Used To Be | 10:04 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| KZ 31035 | Cecil Taylor, Buell Neidlinger | Cecil Taylor, Buell Neidlinger - New York City R&B (LP, Album) | Barnaby Records | KZ 31035 | US | 1972 |
| ACV2106 | Cecil Taylor, Buell Neidlinger | Cecil Taylor, Buell Neidlinger - New York City R&B (LP, Album, RE, cle) | Doxy | ACV2106 | Europe | 2018 |
| JAZ 5032, JAZ-5032 | Cecil Taylor / Buell Neidlinger | Cecil Taylor / Buell Neidlinger - New York City R&B (LP, Album, RE) | Jazz Man, Jazz Man | JAZ 5032, JAZ-5032 | US | 1981 |
| TECW-20595 | Cecil Taylor - Buell Neidlinger | Cecil Taylor - Buell Neidlinger - New York City R&B (CD, Album, Ltd, RE, RM, Pap) | Candid | TECW-20595 | Japan | 1997 |
| GJS 9017 | Cecil Taylor - Buell Neidlinger | Cecil Taylor - Buell Neidlinger - New York City R&B (LP, Album, RE) | Candid | GJS 9017 | Italy | 1986 |
Credits
- Baritone Saxophone – Charles Davis
- Bass – Buell Neidlinger
- Design [Cover] – Malcolm Walker
- Drums – Billy Higgins (tracks: A1, B1), Dennis Charles (tracks: A2, B2)
- Photography By [Cover] – Leroy MacLucas
- Piano – Cecil Taylor
- Producer, Liner Notes – Nat Hentoff
- Soprano Saxophone – Steve Lacy (tracks: B2)
- Tenor Saxophone – Archie Shepp
- Trombone – Roswell Rudd (tracks: A2)
- Trumpet – Clark Terry (tracks: B2)
Notes
Recorded on 9,10 January 1961 at Nola's Penthouse Sound Studio, NYC.
Companies
- Recorded At – Nola Recording Studios
- Copyright (c) – Phonoco
- Phonographic Copyright (p) – Phonoco
Video
Album
Cecil Taylor, Buell Neidlinger. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Nola's Penthouse Studios, New York, NY. Submit Corrections. New York City R&B. New York City R&B is a 1961 free jazz album originally recorded at a session by bassist Buell Neidlinger but subsequently reissued under joint names with the pianist Cecil Taylor. It was produced by Nat Hentoff. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. New York City R&B Buell Neidlinger. The Complete Candid Recordings of Cecil Taylor and Buell Neidlinger. The Happenings: Music of Herbie Nichols. Gayle Force. All Strung Out: Adventures in Buellgrass. Cecil Taylor & Buell Neidlinger Octet - Things Ain't What They Used to Be 10:17. Cecil TaylorBuell Neidlinger-New York City R&B 36:14. Liste Aggiungi alla Lista. Jazz da peter parker 808. In 1956, he joined Cecil Taylor, a young pianist and composer intent on disrupting the fixed linguistics of bebop and hard-bop Mr. Taylors innovations in this period helped establish the avant-garde form known as free jazz. Neidlinger played with Mr. Taylors groups until 1961. At 24, he also recorded an album with Mr. Taylor, the cheekily titled New York City R&B. His playing on the album is rangy but precise - effecting a loping swing on O. his own composition, and a faster, more insistent style on Mr. Taylors Cell Walk for Celeste, reflecting the influence of big-band ba. Cecil Taylor. Cecil Taylor & Tony Oxley - Ailanthus, Altissima Full Album, 2010, Free Jazz, USA. Aurora - Peter Erskine, Marty Krystall, Buell Neidlinger Full Album Denon CY-73148 - Продолжительность: 58:58 Full Vinyl and free to Cecil Taylor New York City R&B O. Cell Walk for Celeste and more. 4 tracks 36:22. Review by Scott Yanow The contents of this rather brief CD, originally released under bassist Buell Neidlinger's name, have since been reissued in the Cecil TaylorBuell Neidlinger Mosaic box set. Two selections feature a trio. New York City R&B has been added to your Cart. Buy Now. Originally released under bassist Buell Neidlinger's name in 1961, this 4 song album contains two tracks featuring a trio with pianist Taylor, bassist Neidlinger and drummer Billy Higgins. One track adds the young tenor Archie Shepp and has Dennis Charles in Higgins's place. This music is quite advanced for the period, although more accessible to the average listener than Taylor's later recordings at least one can hear even in abstract form his connection to the bebop tradition and to Duke Ellington























