Fugees (Refugee Camp) = フージーズ - The Score FLAC
Tracklist
| 1 | The Mask | 4:50 |
| 2 | Fu-Gee-La (Refugee Camp Global Mix) | 4:21 |
| 3 | Manifest/OutroScratches – DJ ScribbleVoice – DJ Red Alert | 5:59 |
| 4 | The ScoreCo-producer – Lauryn Hill, Wyclef JeanProducer, Mixed By – Diamond D | 5:01 |
| 5 | No Woman, No CryDrum Programming – John Forte | 4:33 |
| 6 | Zealots | 4:20 |
| 7 | CowboysProducer – John ForteRap [Guest] – Pacewon, Rah Digga, Young Zee | 5:23 |
| 8 | Mista Mista | 2:42 |
| 9 | Family BusinessGuitar – Wyclef JeanProducer – John ForteRap [Guest] – Omega | 5:43 |
| 10 | Bonus Track | |
| 11 | Red IntroVoice – Ras Baraka, DJ Red Alert | 1:51 |
| 12 | Fu-Gee-La (Sly & Robbie Mix)Bass – Robbie ShakespeareDrum Programming, Drums – Sly DunbarEngineer – Courtney Small, Delroy "Fatta" Pottinger, Eddie HudsonFeaturing [Mic Toaster] – Garfield "Gus" ParkinsonMixed By – Eddie Hudson, Handel TuckerProducer, Arranged By, Keyboards – Handel TuckerRemix – Sly & Robbie | 5:27 |
| 13 | How Many MicsProducer – Shawn King | 4:28 |
| 14 | Fu-Gee-La (Refugee Camp Remix) | 4:23 |
| 15 | Ready Or Not | 3:47 |
| 16 | Fu-Gee-LaEngineer – Gary NobleMixed By, Producer – Salaam Remi | 4:19 |
| 17 | The BeastScratches – Backspin | 5:37 |
| 18 | Killing Me Softly | 4:58 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| C2 67147 | Fugees | The Score (2xLP, Album) | Columbia, Ruffhouse Records | C2 67147 | US | 1996 |
| CK 67147 | Fugees | The Score (CD, Album, Club) | Columbia, Ruffhouse Records | CK 67147 | US | 1996 |
| 483549 2 | Fugees (Refugee Camp) | The Score (CD, Album) | Columbia, Ruffhouse Records | 483549 2 | Australia | Unknown |
| C2 67147 | Fugees | The Score (2xLP, Album) | Columbia, Ruffhouse Records | C2 67147 | US | 1996 |
| 483549 2, COL 483549 2, 4835492021, 4835492004 | Fugees | The Score (CD, Album) | Columbia, Columbia, Ruffhouse Records, Columbia | 483549 2, COL 483549 2, 4835492021, 4835492004 | Europe | 1996 |
Credits
- Co-producer – Jerry Duplessis (tracks: 2 to 5, 7 to 15, 17), Pras (tracks: 2 to 5, 7 to 15, 17)
- Engineer – Warren Riker (tracks: 2 to 5, 7 to 14)
- Executive-Producer – Prakazrel "Pras"
- Executive-Producer [Co-Executive Producer] – Lauryn Hill, Wyclef
- Mixed By – Bassy Bob Brockmann (tracks: 3, 5, 10), Warren Riker (tracks: 2, 4, 7 to 9, 11 to 14)
- Photography By – Marc Baptiste
- Producer – Lauryn Hill (tracks: 2 to 5, 7, 8, 10 to 15, 17), Wyclef Jean (tracks: 2 to 5, 7, 8, 10 to 17)
- Rap [Guest] – John Forte (tracks: 7, 11, 14, 15, 17)
Notes
"Ready Or Not" contains a sample from "Ready Or Not, Here I Come (Can't Hide From Love)" performed by The Delfonics, and from "Boadicea", performed by Enya and taken from the album "The Celts".
"Zealots" contains a sample from "I Only Have Eyes For You" written by Harry Warren and Al Dubin.
"Fu-Gee-La" contains a sample from "Ooh La La La" written by Allen McGreer and Teena Marie.
SRCS 7965/ STEREO/ ℗©1996 Sony Music Entertainment Inc./ Manufactured by Sony Music Entertainment (Japan) Inc.
Released in clear jewel case including 24-page color booklet w/essay and credits in both English and Japanese, lyrics in English.
On this release only artist's name print in Japanese - not the title of album or all tracks which only in English.
Barcodes
- Barcode (Text): 4 988009 796529
- Barcode (String): 4988009796529
- Mastering SID Code: IFPI L274
- Mould SID Code: IFPI 4543
- Matrix / Runout: IFPI L274 PUS-92 1
- ASIN (on amazon.co.jp): JP: B00005G8YR
- Rights Society: JASRAC
- Other (Release Date Code): 96•4•11
- Other (Price): ¥2,300(定価)
Companies
- Record Company – Sony Music Entertainment (Japan) Inc. – SRCS 7965
- Manufactured By – Sony Music Entertainment (Japan) Inc.
- Produced For – R.C.E.
- Produced For – The Jamaican Groove Society
- Copyright (c) – Sony Music Entertainment Inc.
- Recorded At – The Crib
- Recorded At – Anchor Recording Studio
- Recorded At – Quad Recording Studios
- Recorded At – Booga Basement Studio
- Mixed At – The Crib
- Mixed At – Quad Recording Studios
- Mixed At – Booga Basement Studio
Video
Album
Покупайте и продавайте винил и компакт-диски, формируйте. The Score is the second and final studio album by the hip hop trio Fugees. The Score was released worldwide on February 13, 1996 on Columbia Records. The album features a wide range of samples and instrumentation, with many aspects of alternative hip-hop that would come to dominate the hip-hop music scene in the mid-late 1990s. Primarily, The Score's production was handled by the Fugees themselves, Jerry Duplessis and Warren Riker, with additional production from Salaam Remi, John Forté, Diamond D. Format: CD, Album Pays: Canada Date: 1996 Genre: Hip Hop Pistes Intro Many Mics Or Not Beast item:The Score by Fugees Audio CD . Only 1 left in stock - order soon. The Miseducation Of Lauryn Hill by Lauryn Hill Audio CD . In Stock. 0 out of 5 stars The Best Fugees Record Album in my personal Opion. Reviewed in the United Kingdom on November 17, 2019. Verified Purchase. A great sounding album that fully captures the remarkable Voice of Ms Laryn Hill. Read more. Sending feedback. Текст песни: Look into the rhyme Rum to the ripple Sing boo, But at times I come in Fugees album, anybody can listen to it. It was from a reality we came from, we were refugees. I think the Fugees feel like You didnt do well by me, but were never going to get together and address the elephant in the room. Everybodys still dealing with a lot of ego. Right now, its definitely not a money thing. But you never say things are impossible. If the Fugees could just say its really about the fans and let the egos. Album 1996 17 Songs. Hip-HopRap 1996. Fu-Gee-La Refugee Camp Remix. Rap Hip-Hop mp3 320kbps Скачать бесплатно альбом Fugees - The Score. Ищете треки из альбома The Score исполнителя Fugees Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. A breath of fresh air in the gangsta-dominated mid-'90s, the Fugees' breakthrough album, The Score, marked the beginning of a resurgence in alternative hip-hop. Its left-field, multi-platinum success proved there was a substantial untapped audience with an appreciation for rap music but little interest in thug life. The Score's eclecticism, social consciousness, and pop smarts drew millions of latent hip-hop listeners back into the fold, showing just how much the music had grown up
