Leonard Bernstein - Leonard Bernstein At Harvard - The Norton Lectures 1973 "The Unanswered Question" FLAC

Tracklist
| 1 | Volume Two: Musical Syntax | |
| 2 | The Poetry Of Earth - Part 1 | 65:55 |
| 3 | Musical Semantics - Part 2 | 66:58 |
| 4 | Musical Phonology - Part 2 | 51:09 |
| 5 | The Twentieth Century Crisis - Part 2 | 62:39 |
| 6 | Musical Phonology - Part 1 | 43:55 |
| 7 | The Delights And Dangers Of Ambiguity - Part 2 | 66:53 |
| 8 | Volume One: Musical Phonology | |
| 9 | Volume Three: Musical Semantics | |
| 10 | Musical Semantics - Part 1 | 66:57 |
| 11 | Volume Five: The Twentieth Century Crisis | |
| 12 | The Poetry Of Earth - Part 3 | 68:35 |
| 13 | Musical Syntax - Part 1 | 46:01 |
| 14 | Volume Four: The Delights And Dangers Of Ambiguity | |
| 15 | Volume Six: The Poetry Of Earth | |
| 16 | The Poetry Of Earth - Part 2 | 49:45 |
| 17 | The Twentieth Century Crisis - Part 1 | 60:38 |
| 18 | The Delights And Dangers Of Ambiguity - Part 1 | 66:40 |
| 19 | Musical Syntax - Part 2 | 46:24 |
Credits
- Baritone Vocals – David Evitts (tracks: 13), Tom Krause (tracks: 13)
- Bass Vocals – Ezio Flagello (tracks: 13)
- Booklet Editor – Jochen Rudelt
- Chorus – The Harvard Glee Club (tracks: 13)
- Chorus Master – F. John Adams (tracks: 13)
- Compilation Producer – Robert Russ
- Conductor – Rafael Kubelik (tracks: 10)
- Mastered By – Matthias Erb
- Mezzo-soprano Vocals – Tatiana Troyanos (tracks: 13)
- Narrator – Michael Wager (tracks: 13)
- Narrator, Written By, Conductor – Leonard Bernstein
- Orchestra – Boston Symphony Orchestra (tracks: 13), Orchester Des Bayerischen Rundfunks (tracks: 10), The New York Philharmonic Orchestra (tracks: 1 to 12)
- Producer – John McClure
- Research [Document] – Michael Panico
- Research [Tape] – Anthony Fountain
- Tenor Vocals – Frank Hoffmeister (tracks: 13), René Kollo (tracks: 13)
- Transferred By – Brett Zinn
- Violin – Henryk Szeryng (tracks: 10)
Notes
Complete performances by Leonard Bernstein conducting the NY Philharmonic included -
CD-2: W.A. Mozart, Symphony No. 40 in G minor K550
CD-6: Ludwig van Beethoven, Symphony No. 6 in F major "Pastoral" op.68
CD-7: Hector Berlioz, Romeo and Juliet op. 17
CD-8: Richard Wagner, Prelude and Liebestod from Tristan and Isolde;
Claude Debussy, Prélude à l'aprés-midi d'un faune L86
CD-9: Maurice Ravel, Rapsodie espagnole M54: IV. Feria;
Charles Ives, The Unanswered Question
CD-10: Gustav Mahler, Symphony No. 9 in D major, IV. Adagio
CD-13: Igor Stravinsky, Oedipus Rex (Boston Symphony Orchestra)
CD-10 includes excerpts from Alban Berg, Violin Concerto with Henryk Szeryng, violin soloist
Originally issued on Columbia Masterworks in 6 LP sets in 1974. Reissued on CD on the 100th anniversary of
Bernstein's birth.
Barcodes
- Barcode: 190758504728
- Matrix / Runout (Disc 1): M2X 33014 M 33015 AL 33015
- Matrix / Runout (Disc 2): M2X 33014 M 33016 BL 33016
- Matrix / Runout (Disc 3): M2X 33017 M 33018 AL 33018
- Matrix / Runout (Disc 4): M2X 33017 M 33019 BL 33019
- Matrix / Runout (Disc 5): M3X 33020 M 33021 AL 33021
- Matrix / Runout (Disc 6): M3X 33020 M 33023 BL 33023
- Matrix / Runout (Disc 7): M3X 33024 M 33025 AL 33025
- Matrix / Runout (Disc 8): M3X 33024 M 33027 BL 33027
- Matrix / Runout (Disc 9): M3X 33028 M 33029 AL 33029
- Matrix / Runout (Disc 10): M3X 33028 M 33031 BL 33031
- Matrix / Runout (Disc 11): M4X 33032 M 33033 AL 33033
- Matrix / Runout (Disc 12): M4X 33032 M 33036 AL 33036
- Matrix / Runout (Disc 13): M4X 33032 M 33035 BL 33035
Companies
- Copyright (c) – Sony Music Entertainment
- Recorded At – Harvard Square Theatre, Cambridge
- Recorded At – WGBH Studios
- Recorded At – Philharmonic Hall, New York
Album
The Unanswered Question is a lecture series given by Leonard Bernstein in the fall of 1973. This series of six lectures was a component of Bernstein's duties as the Charles Eliot Norton Professor of Poetry for the 197273 academic year at Harvard University, and is therefore often referred to as the Norton Lectures. The lectures were both recorded on video and printed as a book, titled The Unanswered Question: Six Talks at Harvard. Leonard Bernstein was invited to become the Charles Eliot Norton Professor of Poetry at Harvard University in 1971. This one-year position had previously been held by such notable musical figures as Igor Stravinsky and Aaron Copland, and by poets such as e. cummings and W. Bernstein began his residency at Harvard in the fall of 1972. Bernstein was scheduled to give the six lectures in the spring of 1973, but with a full schedule of various composing projects and conducting engagements, he postponed the lectures until the fall. 50 видео Воспроизвести все Микс The Unanswered Question 1973 1 Musical Phonology Bernstein NortonYouTube. Leonard Bernstein: Young People's Concerts Vol. In 1972, the composer Leonard Bernstein returned to Harvard, his alma mater, to serve as the Charles Eliot Norton Professor of Poetry, with Poetry being defined in the broadest sense. The position, first created in 1925, asks faculty members to live on campus, advise students, and most importantly, deliver a series of six public lectures. Delivered in the fall of 1973 and collectively titled The Unanswered Question, Bernstein's lectures covered a lot of terrain, touching on poetry, linguistics, philosophy and physics. But the focus inevitably comes back to music - to how music works, or to the underlying grammar of music. The lectures run over 11 hours. Leonard Bernstein. Recording Uuquipleu Records Leonard Bernstein At Harvard - The Norton Lectures 1973: The Unanswered Question Vol. 6 The Poetry Of Earth Leonard Bernstein. About Leonard Bernstein. Articles Tour Music Photos Related Search SHOP. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience which includes hiding the bottom right video ad. Thank you. Get more of a good thing. During October-November 1973, at Harvard University, Leonard Bernstein delivered a series of Six lectures as Norton Professor of poetry. The Norton lectures were stablished in 1925 to honor Charles Eliot Norton, professor of the history at Harvard, and the word Poetry was then defined in its broadest sense to include Music. CBS Records made the entire series available to the general public. Each lecture was recorded, complete with Mr. Bernstein's illustrations at the Piano and with its requisite Orchestral examples. Leonard Bernstein Argues For Worldwide Musical Grammar&. Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In this re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Schoenberg, and Stravinsky. Series: The Charles Eliot Norton Lectures Book 33. This book is the literal transcript of the 6 Norton talks at Harvard in 1973. Brilliant and kudos to Bernstein for attempting to explicate the semantics of language vis-à-vis musical expression. Though you do feel he is at times trying to fit square pegs into round holes, you have to admire this creative insight. The charles eliot norton lectures. The Unanswered Question. Six Talks at Harvard. These talks, written and delivered when Leonard Bernstein was Charles Eliot Norton Professor of Poetry at Harvard University, are the newest of the authors literary achievements. In addition to a distinguished career as conductor, pianist, and composer, Mr. Bernstein is the recipient of many television Emmys for the scripts of his Young Peoples Concerts, Omnibus programs, and others, and is the author of The Infinite Variety of Music and The Joy of Music, for which he received the Christopher Award. Leonard Bernstein -Vol. I - Musical Phonology: Perhaps the Principal Thing. I - Musical Phonology: Let Me Start. I - Musical Phonology: This is Not Just a Sentimental Anecdote. I - Musical Phonology: From this Time. I - Musical Phonology: But How do we Investigate. I - Musical Phonology: Now You Can See. I - Musical Phonology: Universality is a Big Word. V - The Twentieth Century Crisis: The Unanswered Question. Leonard Bernstein at Harvard. The Delights and Dangers of Ambiguity, Part 2: Every diminished seventh chord























